A Sunday at 105

In 1986, during the Paris-Dakar rally, singer Daniel Balavoine, who was leading a humanitarian operation, was killed in a helicopter crash alongside Thierry Sabine. Nicolas Mathieu, his assistant, Léo Missir, his artistic director, HSH Albert of Monaco, and Charles Belvèze discuss the artist's career and his political and humanitarian commitments. Pierre Fauque and Anne Amado retrace the last moments of his life, from his arrival in Tamanrasset on January 6 to the day of his death in the desert, in the midst of a storm.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.

It is the story of an encounter, that of two men, that of a coffin meeting its hearse, of death inviting itself into life or perhaps of life inviting itself into death. This encounter follows an advert on Leboncoin: “Solid oak coffin, varnished. Excellent condition. Large size. Its particularitý is to have the place for the legs embedded. It is not padded inside. Does not fit in an oven, hearse or traditional vault. Difficulty to get through doors (…)”

Portrait of photographer Bengt Åke Kimbré where he narrates his own life story accompanied by his photographs.

Stimming

Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Portrait of a French mercenary working in Libya, hired by the Phalange to train the militias. War leaves its traces; and for some, who see death as part of the job, it’s a vocation.

Magdi, a strong-willed, but lonely caregiver faces a daunting reality as she grows older: If she were to pass away, her disabled adult son, Feri would be left to the inhumane conditions of the Hungarian state care system, and would quickly follow her. Determined to secure a future for Feri, Magdi unites with a group of mothers who are in the same situation and they take legal action against the state. “Your Life Without Me” is a story of the strength and sacrifices of these women who find their own voice through the common fight and their community.

A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Nine years and nine months: that's how long it took Cécile Togni and her partner Benjamin to finally fulfill their dream of having a child. During all those years, she endured intense physical suffering, put up with medical abuse, fought against the ineffectiveness of misdiagnoses about her infertility, collapsed and got back up again and again in the face of repeated failures, without ever losing her determination.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Luxembourgish presenter, director, producer, and actress Désirée Nosbusch, born in 1965, is a woman of many talents. After starting out in radio at the age of 12, she landed her first role on the big screen four years later, then presented the Eurovision Song Contest in five languages at the age of just 19. Over the years, she has hosted popular TV shows and starred in more than 30 films and TV dramas, establishing herself as a major figure in European cinema.

Hannah Arendt's views on Jewish identity, the Israel-Palestine conflict, and authoritarian-totalitarian systems seem more relevant than ever. Together with biographer Thomas Meyer, this documentary takes us back to the time of her exile in Paris. It was there, on the banks of the Seine, that she laid the foundations for her later works, which would bring her international renown.

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

femmes sans domicile fixe ,fragments de vies

A journey through Ellicya Naidoo's last week of highschool filmed on a camcorder, showcasing memories and moments with friends.

Three alien women with futuristic sound headgear walk around enclosed spaces engulfed in sand. They are connected by their common ability to listen to the stories of migrant Venezuelan women abandoned objects carry.