A Sunday at 105

À la hauteur

Herr Siebzehnrübl

Ilyes Djadel : en vrai de vrai

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

A journey through Ellicya Naidoo's last week of highschool filmed on a camcorder, showcasing memories and moments with friends.

Valomanden

femmes sans domicile fixe ,fragments de vies

Les dieux de Molenbeek

Quel numéro ? - What number ? ou le travail automatisé

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

A man tells the story of his three cats.

Adapted from famous French actor Philippe Torreton’s best-seller, GRANDMA is the portrait of the actor’s grandmother: a modest, unique but universal Norman peasant. Enriched with amateur films, nourished by major historical events, GRANDMA also tells the story of the end of a world, that of the countryside of our grandmothers, before the abyss of modernity.

Welcome to Mississauga where lawns are clipped, neighbors are watchful and no blade of grass dares misbehave. Except at Wolf Ruck’s place. His lawn grows wild, and so does the trouble.

Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...

Sur les pas de Robespierre

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

Hugues Aufray, l'éternel jeune homme

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.