Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
A couple decides to watch Big, a successful film released in 1988, starring Tom Hanks and directed by Penny Marshall, not once, but thirty times, sometimes accompanied by family and friends who come to their home to watch and discuss it.
France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.
A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.
The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.
Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.
Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.
Brad Pitt is a singular actor in Hollywood's glamorous world, breaking through his "playboy image" and embodying American cinema's renewal. At the beginning there was a humble Midwestern aware of being a smokescreen for the illusions of his time, who has managed to keep control of his image to better serve the most talented directors of our time. To name but a few: David Fincher, Quentin Tarantino, the Coen brothers, Terrence Malick, James Gray and soon Damien Chazelle. This documentary dives into the brain of a complex, brilliant and endearing personality, far from the cliché of a world-famous movie icon to discover the hidden side of the most handsome man in the world.
After showing us some of Elland’s places of special interest, including the home of one of The Bachelors, we are taken on a tour of local sweet manufacturers Joseph Dobson & Sons. From boiling up the syrup, to stretching the resultant goo and cutting out the individual shapes, each stage of the process of making boiled sweets is demonstrated and explained. The end product is rows of jars of Rainbow Crystals, Yorkshire Mixtures and Voice Tablets selling at 16 pence a Qtr.
Spain, early 20th century. As a child, Leocadia Cantalapiedra was dazzled by a new art: cinema; but she lives in a society where directing films is something only men can do.
Made possible through a unique UK-wide collaboration of national and regional publicly-funded film archives, Lost Connections draws on a century of archive footage that invites reflections on loss, loneliness, isolation, and expressions of desire, optimism, hope and renewal. It is not a film about the pandemic, it is a film about recovery, the human character, sadness and joy, what we really value, and our gradual reconnection with each other, our communities, and the world around us.
September 23, 2022 marks the 52nd anniversary of the death of Bourvil (1917-1970). Radio, sketches, boulevard theater, operetta, cinema, songs whimsical or tender, Bourvil is present in all areas of popular culture. Carried by the voice of Valérie Lemercier, this portrait of the artist allows us to rediscover his most beautiful songs, from Les Crayons to La Tendresse, and the highlights of his filmography, from the cult scenes of La Traversée de Paris, Le Corniaud and La Grande Vadrouille to Le Cercle rouge. We also rediscover the richness of his career as a singer and actor, with some little known nuggets. The testimony of Bourvil's two sons, unpublished family films and numerous archives tell the story of the all too brief life of this endearing man.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…