Here/Not Here

Awesome: I Fuckin' Shot That! is a 2006 concert film of the Beastie Boys. It was created by giving camcorders to 50 audience members of a sold out concert at Madison Square Garden on October 9, 2004. The audience members were instructed to keep the cameras rolling at all times. The DVD of this concert movie was released on July 24, 2006 in the UK and July 25, 2006 in the US.

Childhood best friends and Hip-Hop artists, Michelle Shockley and Brandon Rothrock, struggle with their lives and artistic endeavors as they mourn the loss of their crew member and find themselves moving in different directions.

Les Clippeurs

Kingdom Come is a video included in the ninth studio album by American rapper Jay-Z. It was released on November 21, 2006, through Roc-A-Fella Records and Def Jam Recordings.

On the eve of a catastrophic event which will wipe out the hearing population, we follow four deaf characters as they go about their daily lives.

Fifty years ago in the Bronx, a new genre of music was born, the product of a people searching for their voice and the opportunity to be heard. For decades, the community was bound by the words of leaders like Martin Luther King and Malcolm X before their assassinations attempted to thwart the messaging. While their lives ended, the impact of their words never would, instead paving the way for others. Soon, athletes and entertainers would step to the microphone and boldly become the sound of a new generation and an inspiration to their people. When the world looked to silence them, the culture found a way to speak louder than ever before. From Muhammad Ali to Public Enemy, Jay-Z to Lebron James and beyond, the impact on sports has been indelible.

Contemporary Shanghai, summer. Xia Qing, a boy who has been wearing Cochlear Implants due to hearing impairment, has a deep love for dancing. He gains so much joy just from copying Martha Graham’s hand gestures in a dance magazine. A kid with a precocious nature, he sometimes paints his pinky nail red just for that glimpse of beauty. Yet all these passionate pursuits are misunderstood and questioned by his single, deaf mother. Given the opportunity to audition for his favorite dance company once in a blue moon, he has no choice but to return to his body--He seeks his mother’s approval and longs to overcome this obscure self-identity crisis, through the silent language on his fingertips.

Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.

A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.

The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.

Heather Morris and the cast of GLEE put their own stamp on the Dr. Dre classic NUTHIN' BUT A 'G' THANG.

Bling Bling

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

When two very unique and diverse families with 7 kids each collide, they find laughs, music, love, and a few answers about what it means to be a not-so-normal American family in the 21st century.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

James is the lead singer in a local rock band who is allergic to responsibility. Leslie is the bass player in the band, a middle-aged single mom struggling to connect with her teenage son. And Tim West is Booda, a rapper trying to maintain his dreams of a music career while living up to his responsibilities as a husband and father to two young boys. These characters will wake up tomorrow and struggle again, but they each find a little hard-won peace at the end of the day.

With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.

Collaboration with Amadou, who also produced the soundtrack.