Eu também não te vejo daqui

In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.

Il était une fois... Vincent, François, Paul et les autres

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

An undaunted look into the cam business from performers and clients to website and studio owners.

Monique and Michel Pinçon-Charlot are a couple of French sociologists, famous for their work on the uber-rich. They have been in love for more than fifty years, and they enjoy a comfortable retirement in their lovely home in the Paris suburbs. They could live a quiet life, but how do you get some rest when there is capitalism to fight against?

A dive into the societal rules and expectations of the celebration of women’s bodies and their use to show love and power. The Disdress Dolls shimmy, shake, and strip across the stage, challenging concepts of strength and femininity by offering a vulnerable portrait of themselves and playful and macabre world.

Guy Debord's analysis of a consumer society.

Raising Bertie is a longitudinal documentary feature following three young African American boys over the course of six years as they grow into adulthood in Bertie County, a rural African American-led community in Eastern North Carolina. Through the intimate portrayal of these boys, this powerful vérité film offers a rare in-depth look at the issues facing America's rural youth and the complex relationships between generational poverty, educational equity, and race. The evocative result is an experience that encourages us to recognize the value and complexity in lives all too often ignored.

Documentary film detailing how America became the epicenter of the COVID-19 outbreak, from the dismantling of our preparedness system starting in 2016 to the “missing months” of inaction in early 2020.

Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.

Markus Becker is hit by a car, dragged along, his head bashed on a curb and he falls into a coma. The doctors don’t believe that the 45-year-old will survive the next five to ten days. His father makes preparations for the funeral. Markus’ brother Michael refuses to accept this fate and begins an extraordinary battle. In his brother’s apartment he seals Markus’ clothes to preserve the smell. He records the neighbors’ voices. Every day, Michael exposes his brother to things that are familiar and films everything that is part of Markus’ life with a DV camera. He wants to keep him in his world and to bring this world to his bedside. He documents every step of Markus’ development, risking his own life in the process, wishing that his brother will one day regain the ability to lead a normal life. This full-length documentary accompanies Michael Becker for 10 years on his unwavering and creative mission to bring his brother Markus back to life.

What makes a male, and what makes a female? Where do we draw the line, and does it really matter? Sharon-Rose Khumalo, a South African beauty queen, plunges into an identity crisis after finding out she is intersex. In her quest to deal with gender dysphoria, she needs the guidance of somebody just like her. The only person who will help is Dimakatso Sebidi, a masculine presenting intersex activist, who turns out to be her complete opposite. The two parallel but divergent stories offer an intimate look at the struggle of living in a male-female world, when you are both or neither. For the first time in a creative documentary, Who I Am Not gives a voice to the long ignored and mostly silent two percent of the world's population: the intersex community.

In an observation over four seasons THE STANDSTILL shows Vienna and its surroundings along with encounters with people during and after the Corona crisis. The film tells of the immediate and also the long-term effects, which can only be evaluated and classified in the future.

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Alejandro, a shoe retailer tells us about the problems faced during the pandemic, and how a turnaround made his workshop prosper.