Four stories... Four couples... Ang Mga Pinakamahabang One Night Stand is a collection of four short films exploring themes of fidelity, relationships, and true love in a world filled with complex societal norms permeating personal spaces. The anthology includes Wait Water Wait [directed by Crisaldo Pablo], Balot [directed by James Harvey Estrada], Ang Pinakamahabang One Night Stand [directed by Eduardo Roy Jr.], and Tutok [directed by Crisaldo Pablo].
Kate and Sam are best friends, but there’s a tension building in their relationship. When Kate’s sister falls victim to an act of violence, they are determined to bring the perpetrator to justice. On a summer evening, their actions tear a hole in reality as the assailant’s heart falls out of his chest and onto the pavement, just as it begins to snow. Their relationship crumbles in the aftermath and the girls are left to question whether any of us are truly worthy of forgiveness.
Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
A woman marries a man for his wealth, then concocts a plan to kill him, take his money, and run off with her lover. Things go wrong when they accidentally kill the wrong person.
A married woman and a drifter fall in love, then plot to murder her husband.
In the aftermath of a devastating rumor, Iman and his family have been forced to flee Iran. As refugees, they end up in a run-down hotel in northern Sweden. Despite feeling powerless, Iman tries to maintain his role as the family patriarch. To increase their chances of asylum, he breaks a promise to his wife and joins the local wrestling club. As the rumors start to resurface, Iman’s fear and desperation begin to take a hold.
23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.
On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.
Amos, delving into his past, embarks on a journey to relive the conversations he shared with his late friend Vogel. In these nostalgic reunions, Amos immerses himself in memories that hold the unique essence of their relationship. As the memories unfold, an intriguing mystery is unveiled: the encrypted question Vogel sought to answer, "How long do clouds live?".
A prostitute sets out to frame a cop.
A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.
Fifteen year-old Xian goes to live with her father while her mother, a doctor, takes a job in Africa. Soon, she becomes fascinated by her father's stepdaughter, a swaggering, liberated and slightly melancholic young woman.
This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
Jin-hyeok opens a cake shop in an old antique shop, hiring Seon-woo, Korea's best pastry chef, who fell in love with him in high school. Also there, are Su-young, crushing on Seon-woo, ex-boxer Ki-beom, and Seon-woo's French ex-boyfriend.
Dr Dennis Slamon, an American oncologist, discovers a treatment that could possibly cure breast cancer without radiation or chemotherapy. He tries to look for ways to fund the medication.
Two sets of young marrieds, Day & Fanny Illington and Ferd & Ida Jackson take a weekend trip together. Avid golfer Day ignores Fanny as Ida does Ferd. At his suggestion he and Fanny attend an island "affinity" party for people neglected by their spouses. Accidentally left on an island they struggle back to the mainland only to discover Day and Ida have been having an affinity party of their own! Everyone realizes the error of their ways and resolves that they were already married to the ones with whom they had the most affinity.
This drama, centered on a homosexual man, studies the consequences of the loneliness and misunderstanding that we continually face. On any given day in the life of Martín, his almost lost battle against anxiety will take a turn when his conflicts with family and friends show him that the existential emptiness that he already feels as part of him is not reason enough to as defeated.
It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.
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