Psychotropical

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.

After a drug dealer schemes against them in secret, two student gangs ignite a bitter feud that triggers a chain of violent consequences.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

Struggling to fit in in her new school and reeling from the fallout of her parent’s recent divorce, lonely LA high schooler Jane falls in with a rambunctious crowd, and becomes smitten with their charming drug supplier, Jamie.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

"In Serieux comme le plaisir, two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group..."

In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.

A mysterious girl, Pennu, comes to a quiet village, creating a strange chasm among the male folks, breaking marriages and old friendships.

In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

A microcosm of people lost in search of an artificial happiness, which leads them to steal and prostitute themselves for the short ecstasy of a squirt of heroin in the veins. Marco and Pina live in this world of drugs, prostitution and violence, and they must fight for their survival. One day one of their friend dies during a holdup. Marco and Pina are helpless and will do anything to escape, but fate does not want a similar world. Between bites of heroin and sidewalk they are in a deadly trance.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

With barely any money and living out of her car, struggling travel vlogger Savanna Mills (Sarah Hitzel) is willing to do anything for fame and fortune no matter how dark or twisted. In her desperation, she seduces a drug addict into a dark ritual. Suddenly her luck changes and she lands a talent agent who wants her to expand her social media following and transition her into film and television. All seems to be going well until the disturbing visions she's struggled with since childhood return, forcing her down an even darker path. Can Savanna's luck continue or will her past catch up to her and destroy her dream of success?

After being released from prison, Billy Skinner returns to his low-income neighbourhood feeling like a fish out of water; the area has changed dramatically, and what was once a predominantly white neighbourhood is now mostly occupied by refugee families.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

After his colleague Schweitzer goes missing during a drug raid, undercover cop Till Hager is tasked with tracking down a mysterious new drug called "Abaddon" - a substance which supposedly drags it's users down the deepest depths of hell.