The Right of Love

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Short comedy

A short film dedicated to old classics of south Indian films. Raju and Seema fall in love, but a twist in Dinesh (Raju's friend) life changes all their lives. A classic plot point explored and presented by many film makers back in those days.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Two strangers meet at a train station on the day of an LGBT march. Their conversation drifts from topic to topic, as they flirt, argue, do small talk, and eventually share their secrets and loves.

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

She is a very organized woman. She wrote everything down on excel sheets. Absolutely everything.

Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.

As Louis prepares to move house; he relives memories of a past relationship, figuring out what went wrong and hopefully finding the key to moving on for good.

Dimos Avdeliodis pays homage to Charles Chaplin and all his favorite silent heroes. This is the first film he directed.

Two adventurous 11 year old best friends play around, explore forests and rivers, run, swim and play pranks on a local girl.

12 year old James is now caught between wanting to continue being the adventurous boy he was a year ago, however someone now is more of a mystery for him. Now he wants to spend less time with his best friend and starts spying on the girl that he once called names. He makes excuses not to go with his friend and instead takes peeps at the girl wondering why she does things. James is starting to get a crush on the girl.

At the age of 13, James now disagrees with his best friend and defends the girl against him. He fell in love with her and wants to spend all his time with her. James takes her to the river where he and his friend used to hang out. James is now a teenager and the girl is his whole life.

Il Granchio Blu

Violet and Blue's youth collide in an early morning toke that leads to the ocean where connection stirs. What results is a tender, uplifting, queer surf-romance about the nuance of gender and the refuge found in being truly seen.

Begoña, Pelayo and María are saying a last goodbye to their mother. Confusion arises when they discover she wanted to be buried in a very special outfit.

Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

Marco is a shy courier instructed to deliver some jewels in a photo studio. Here he meets Giorgio, the photographer: handsome, gay, cheeky.

In the Fridge for Love

La politique du pire