Autumn

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects to have a role in his father's fate.

Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.

As India faces a militant attack in Kashmir, the country’s best combat aviators join forces under a reckless yet brilliant squadron leader to form 'Air Dragons', faces mortal dangers and their inner demons.

The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.

a young boy works hard to buy his sister a birthday cake, but at the end of his journey he runs into an army man who's world collides with his in a situation that both try hard to control.

A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?

The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.

While Mike and Sara can candidly and concisely acknowledge their shortcomings, it doesn’t mean they’re comfortable with the position they find themselves in: completely incapable of curbing their spending, they’ve turned up on the doorstep of their affluent friend Paul in hopes that he can help administer some long overdue "aversion therapy".

"Welcome to the zoo," Samira is advised as she’s admitted to an in-patient care facility in the wake of a suicide attempt. As she slowly familiarizes herself with her fellow residents and their idiosyncratic traits, a makeshift community takes shape.

A prominent lesbian couple adopts a child who gets diagnosed with a genetic predisposition for violence, and they must contend with their hard-lined stance on acceptance while attempting to raise the perfect family in the spotlight.

Young and vulnerable Charlie discovers a secret entrance into a dream-like forest, and the line between perception and reality blurs.

Firas sails together with his Syrian countrymen towards Europe. While crossing the Mediterranean Sea a plane crashes near their boat. Among all the debris, one little girl miraculously survives. The refugees manage to bring her aboard the ship; in shock and confused. Firas is confounded by the presence of the girl. Soon his state of mind starts to work against him.

People seem to find their way in a rebuilt city. They live their lives and rush home at the end of a working day. Until a colossal eruption shakes the city and embraces it in a blanket of smoke. Modern interpretation of the bombing of Rotterdam, inspired by a poem by Dean Bowen.

A missionary’s wife questions her needs to "save souls" after finding solace in her new friendship with a Ngarrindjeri woman.

Výkřik do sibiřské noci

První políbení

Experimental film about the legal action taken by a woman whose house is threatened by a new city development project. Her ideas of home, community and utopia are examined alongside those of the developer. The film explores the use of language and rhetoric, as well as competing visions of progress and development.

8-year-old Ah Keat sets off in search of the mythical nightmare-eating creature in the forest, hoping it will bring his father back to life.