Your Mother and I

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Luiza is an architect who just got out of a ruinous relationship. Gabriel is a biologist and he has finished a long marriage with divorce. When they both meet, chances that they can do well together are not that big. But they will try to, even if their friends Barata (a convict bachelor totally skeptical when it comes to love) and Marta (a mathematic analyst who wishes that human relations were just as exact as numbers are) think otherwise.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far.

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.

A promising young composer is tempted away from his devoted wife by a fortune-seeking woman who cares more for his prospects than for him.

An old couple who live in a remote village lose touch with their children who live in the city and who are too busy to visit them. In order to get their attention, they get divorced...

Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.

A film about a pair of sisters, whose parents are divorcing after their father leaves their mother for a younger woman, and who plot together to try to repair their fractured family.

Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.

Three long time girlfriends meet up for a weekend at their old beach hangout. There they re-visit the past, face their present and look forward to the future.

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.

Playwright James Lee adapted his off-Broadway play for the screen in this high-strung adaptation, directed by Joseph Anthony. In this simplistic, backroom show-business-success saga, Anthony Franciosa plays Sam, a struggling young actor who will forsake his family and take any type of menial job in order to become a Broadway star. Dean Martin is on hand as Maury, an aspiring director also trying to claw his way up the ladder of success. When Maury gets his big break, Sam wants a part in his show, but when Maury, who is unwilling to cast Sam in the production, turns down Sam's request, Sam seduces and marries Maury's girlfriend (Shirley MacLaine). In spite of everything, Maury wants his girl back, and Sam agrees to a divorce on the stipulation that Maury cast him as the star in his next show. Once again, Maury reneges and, before Sam can exact his revenge, Uncle Sam comes to the rescue and he is drafted into the army.

After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites have been dumped for a newer, curvier model. But the trio is determined to turn their pain into gain. They come up with a cleverly devious plan to hit their exes where it really hurts - in the wallet!

While looking for new tenants for his seaside villa, surrounded by a big garden, Andrea Ricoli, a 50-years old architect, meets Rossana, a newly 40-years old, anaesthesiologist at the local hospital, and married to Riccardo, ten years younger than her: he's an aspiring writer, temporarily employed as a salesman at a local shoe store. During an eventful New Year's Eve, Andrea introduces Riccardo to a Maghreb restaurant owner - who is interested in restoring an attic apartment - and his lovely sister Hikma. Months go by. Andrea discovers that Hikma is pregnant with Riccardo's child, while she's struggling with her old-fashioned, fundamentalist brother's mentality. He offers to help the couple and let them stay with him in his villa. Teaching him how to care for his garden, the young Hikma reminds Andrea of his wife Sofia, who passed away right there four years earlier, in unclear circumstances...

A middle-aged woman leaves her partner and drifts back to her ex-husband, while the lives of her middle class friends intersect with her own.

A family goes through a divorce.