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The film is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Quinn is a grade school teacher who is exploited by a group of memoryless individuals who reeducate his long-term partner Amy.

Experimental film about a guy that really likes to read books in the forest.

Haikai Eternidade

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

After hearing about a pagoda's mysterious disappearance, a group of filmmakers embarks on their journey to find an explanation.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

A bartender takes on the physical form of her imagined alter egos.

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.

El Retiro

Escuro da Alma

Piracema - uma carta de amor ao teatro

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

Rain

Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?