Aladdin: The ITV Pantomime

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Edmond, an office loner, who gets the surprise of his life by having a genie appearing out of nowhere to grant him any wish he desires. However, Edmond has a surprise of his own by requesting a peculiar wish to the genie.

Aladdin and Dracolim sell a miraculous elixir with help from Marina by Aladdin who is passionate. Bandits come disguised in Aladdin's house and try to take the ring since Aladdin has the power to run a magic lamp.

Sir Droopalot and Sir Butchalot (Droopy and Butch) vie with each other to kill a dragon that is terrorizing their kingdom. Whomever vanquishes the dragon will marry the king's daughter.

Jasmine's Enchanted Tales: Journey of a Princess

Inspired by a mime show ("Panem en circenses"), the film is a series of comical situations based on the absurd. Burlesque situations experienced by two tramps in a vague location. They don't know each other but have both chosen to spend the night there. The film tells of them approaching each other, at times being charming, at others jeering and being aggressive.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

The plot and setting is actually a bit like Keaton's The Three Ages will be in 1923. But less sophisticated: The Roman Emperor Mulius Caesar borrows more money than he should. The loan shark is all over him and exploits this to get near the emperor's daughter. A slave falls in love with the daughter and sends the loan shark in a rage – unless the slave is sent to Colosseum he will foreclose the emperor's mortgage.

Rebellious Princess Marie "Mitzi" Christine must try to marry the man she loves, instead of the stuffy old prince her parents want her to marry.

On a theatre stage, a princess lives alone in a tower. When two soldiers happen upon her, they are intrigued by how little she knows or needs. A darkly comedic tale about a woman who discovers she exists.

Cole Porter's version of the story of Aladdin--his only musical written especially for television.

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

After fathering a child, Maharaj Bahadur Singh marries and starts a family. One of his sons grows up to usurp him, the other becomes Zorro.

This offbeat comedy from future Hollywood screwball director McCarey is about a princess who must find a husband in 24 hours or forfeit her throne. She quickly marries a condemned man--but the man is pardoned.

Via a magic mirror, Twilight Sparkle travels into an alternate universe in order to recover a crown that was stolen from the Crystal Empire. Upon her arrival she is horrified to learn that she has turned into a human.

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.

Two of Hans Christian Andersen's fairytales in a blend of animation and live-action.

The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.

Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Long ago in a Magic Kingdom, one misunderstood Royal Vizier will go on a quest to save his city from its bumbling sultan, an invading prince, and the most notorious thief to ever live! With the help of the Kingdom's free-spirited, teenage Princess, the Vizier must find a magical lamp containing a wish-granting Djinn (who's really funny, by the way) and defeat the city's most-wanted criminal... Aladdin! This musical adventure celebrates and lovingly pokes fun at everyone's favorite series of hand-drawn, animated films.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.