Streets

Eleven award winning directors explore why nearly one out of every two students in Latin America never graduates high school.

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

A young woman must choose loyalty to a historical Asian clan, and her non-traditional love, amidst the deaths of her dance partners being investigated by her new lover.

Rikky and her brother Pete struggle to keep their lives from spinning out of control in small town Australia.

Family celebrations and tensions, Independence Day, Texas 1948

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

A young man, on his way to a factory to assess its efficiency, causes a car crash. The factory owner, who ran the business with his wife and her brother, has been killed in an accident, though whether it’s the same accident is left unclear. The film explores the unforeseeable ramifications of the twin tragedies.

It chronicles a few hours in the life of a family living on the southern coast of Buenos Aires. After breakfast, a father (Guillermo Arengo) heads off with his son (Agustín Alcoba) to a desolate beach for the day, while his wife (Roxana Berco) visits her seriously ill mother (Susana Campos) in a remote, wooded area.

Over the course of a night, Rachel, a bereaved clinical psychologist, combats her grief with elaborate self-soothing rituals while Lia, a regional shopping network host, tries to obliterate hers in a self-destructive haze. They collide in a televised confrontation.

Stevie, a precocious 14-year-old girl must cope with the instabilities of her immoderate parents. When they decide to move to a small provincial town in Germany, Stevie attempts to slip into a normal life. Whilst her parents playfully escape their responsibilities, Stevie tries to make a good impression in town, spreading stories of grandeur and claiming to be the daughter of a diplomat. She makes progress. Yet the good weather doesn’t last and before long, she discovers that her parents have once more resorted to illegal means, as a way of supporting their leisurely lifestyle. As friends and hangers-on of her parents fill their new home, the chaos continually mounts. It is in this atmosphere of physical and emotional destruction, that Stevie must now start to define herself and perhaps even break free.

After losing a loved one, Simone decides to volunteer in a hospital and spends her days with terminally ill patients. However, other parts of her life soon begin to suffer as well.

Adrian (Leonardo Sbaraglia) is a young man who has spent years running away from himself, constantly changing city and work, looking for people to relate to the least possible and all for one reason: he has the ability to see things that have not yet occurred, is a precog. He learned it when he anticipated the death of his parents and could not do anything about it. Adrian tries, unsuccessfully, to flee from his gift

Tale of a 15-year-old Australian girl who went missing.

Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...

Though its aftertitles detailing the history of French nuke experiments suggest otherwise, writer/director Marion Hänsel’s Black Ocean is not a political treatise or a history lesson, instead taking advantage of the remote, isolated environments in which the experimentation took place – as well as the monumental imagery of the act itself – in order to communicate a more universal story about the power of awe. Ocean principally follows three young sailors on a French naval vessel in 1972, who are on course for an unknown destination in order to help carry out the bomb tests they’ve yet to personally witness. The film is essentially divided into two parts: before and after the blast.

Elza lives in a small town in the Republic of Kalmykia on the Caspian Sea. Another year comes to an end, it’s cold and the steppe is covered in a thin layer of snow. When her husband, who makes a living from illegal fishing, asks her one night what she did during the day, she lies. She wasn’t at her mother’s, but at the bus stop. She thought of leaving – to find out what it might be to escape the infinite expanse of her dreary small world. But she didn’t dare; instead she stays and withdraws into herself, unconcerned by who might see. One day, her husband doesn’t return from a dangerous boat trip. It is said that a fisherman only returns if he has a woman waiting for him and that seagulls are the souls of the missing. At the start of a somewhat unplanned pregnancy, widowed and alone, Elza wanders ever further through the city, plotting a path between tradition and the contemporary until she’s no longer on familiar ground.

Three sisters pack up their family home after the death of their father. Anna, the eldest, is put in charge while her younger sisters fuck off. To make matters worse, Anna's breasts are painfully engorged with breast milk. How will these sisters come back together in this time of crisis?

Sofia, 20, lives with her parents in Casablanca. Suffering from pregnancy denial, she finds herself breaking the law by giving birth to a baby out of wedlock. The hospital gives her 24 hours to provide the father's papers before informing the authorities…

A professional hand model Ching suffers from post-natal depression and her architect husband Hsuing is unable to deal with it, driving their marriage to the brink of collapse.