Today

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Olivia is a disturbed woman who shows some signs of amnesia and madness. Accompanied only by Esther, she fantasizes that some day her beloved Julio will return, but he only writes her letters. Esther, however, keeps a terrible secret from her.

A female attorney learns that her husband is really a marine officer who has been AWOL for fifteen years and accused of murdering fifteen civilians in El Salvador. Believing her husband when he tells her that he's being framed as part of a U.S. Military cover-up, the attorney defends him in a military court.

Vientre Vacio

The life of a simple piñata salesman named Don Cleo is turned upside down when he falls victim to an extortionist he can’t possibly afford to pay. The harder he tries to raise the funds, the deeper into trouble he gets. If Don Cleo hopes to survive, he’ll have to face his fears and stand up to his tormentors.

A monologue about the meaning of being art, delivered by the last character you’d expect: a pair of pants. A short film by Ponchi Simán.

A young boy, attempting to have a normal childhood in 1980s El Salvador, is caught up in a dramatic fight for his life when he desperately tries to avoid the war that is raging all around him.

At the turning point of the Iran-Contra affair, Elena McMahon, a fearless investigative journalist covering the 1984 US presidential campaign, puts herself in danger when she abandons her assigned task in order to fulfill the last wish of her ailing father, a mysterious man whose past activities she barely knows.

In 1981 Montreal, four Salvadoran siblings, new to Canada, seek distance from the uprisings occurring in their home country by hitting a night club, but it does not go as planned.

A journalist documents the experiences of three different people who lived through the tragic Salvadoran civil war of the 1980s, which lasted twelve years.

Viento en Contra

Diana develops a deep interest in the sound of the sirens that roam her city every night, until she starts to talk to them in her dreams.

A boy seeks revenge after surviving El Mozote massacre in El Salvador, where government forces killed his family and destroyed his village - the deadliest civilian massacre in modern Latin America.

Two friends decide to spend the last vacation together, before parting their ways forever in a journey they never will forget.

Filmed on the war fronts of Chalatenango and Guazapa, the film is based on the construction of Local Popular Powers (PPL) in areas under guerrilla control.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.

A production by Radio Venceremos in 1992. The documentary's central objective is to showcase Radio Venceremos' new role after the end of the armed conflict, portraying it as a radio station that would continue serving the needs of the Salvadoran people. The documentary includes some of Radio Venceremos' broadcasts during the Salvadoran peace process.

Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.