Rendez-vous avec Fantômas

Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots between cross-cultural worlds.

Food is a unifying force across our communities. In this short film, we share the stories of three Latinos - each from a different country but now living in the same American city - who come together to share flavors of their homeland, all of which include one central ingredient.

A scenic documentary record of a climb up to Mount Assiniboine, the 'American Matterhorn' in the Canadian Rockies.

In a forgotten seaside town in the north of England, seventy eight year old Dave hands out food and kindness to those in need. After ten years of austerity, this nuanced portrait of a volunteer-run food bank penetrates the harsh reality of contemporary Britain.

The first part of the film shows parallels between Christianity and Marxism. The second part describes the influence of both the Judeo-Christian background and that of other religious critics on Marx's position as a critic of religion. Beyond the well-known facts, this documentary not only analyzes the historical background of Karl Marx's life and work, but also deals in particular with his personal relationship to Christianity.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Les sentiers culturels

A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.

A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.

As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.

About the mexican wolf in northwest Chihuahua, the search for its conservation among local communities, landowners, and the Livestock Assurance Fund.

Damaris and Alberto live in an isolated village in the Sierra Maestra Mountains of Cuba. Four months ago, their 12 year old son committed suicide.

A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.

Dialogue-free short detailing the daily tasks of a man and his wife.

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

La herencia de Huanta

A documentary about the history of Catwoman from DC.

Nice looking Travelogue takes us to the Northeast corner of Wyoming as we visit Yellowstone National Park.

São Mateus is a sacred ground where many dreams are born. Many of those become great songs. The neighborhood is a stronghold of great composers who are inspired by their experience in there. Lyrics full of emotions compose the neighborhood's memory. São Mateus presents three artists telling their trajectories and how the neighborhood influenced their art.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.