Sancho

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other prisoners gang up on Cervantes and his manservant, and begin a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense--the story of Don Quixote.

Don Quixote, accompanied by Sancho Panza, wander the roads of Spain protecting the weak and doing good deeds in the name of his beloved Dulcinea.

A new vision of the Knight of the sad figure, which lives obsessed by the chivalry and its codes of honor. Accompanied by his unusual squire Sancho Panza, Don Quixote recalls some of the adventures they've shared.

An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

While vacationing at a beachside resort, a single mother faces inevitable separation anxiety when her 15-year-old son — who is also her best friend — discovers magical chemistry with a girl his own age.

The Sound of Music engages with the deep-rooted sexual and class-based politics of a seemingly arbitrary and violent culture.

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

A mix between "Schoolgirl Report" and "Christiane F.".

Sinan is a second generation Turkish immigrant. He is young, restless and he likes the ladies. His parents have found him a bride, the beautiful Gül. They have also planned for him to take over his father's restaurant after the wedding. But Sinan has other fish to fry.

Lauren is a young woman who takes to conducting interviews with a handful of amorous experiencers as a means of compiling stories for a research paper she's writing about a mysterious force that a number of sexually active people have been recently describing to her as entering them and working upon them like some kind of aphrodisiac.

Director and co-writer Romano Vanderbes attempts to satirize middle America's standard news broadcasts with as many jokes about sex as possible. The featured station is KSEX and Doug Ballard and Lydia Mahan play the anchors in a broadcast where blue does not mean melancholy

A young British boy whose father was murdered by a treacherous Aran sheik finds himself in a position to exact revenge as an adult.

Silvi is in her late forties. Her husband has just left her. Until this point, she was fairly content with her life, but now everything is in ruins. A friend advises her to make a fresh start. But how is that supposed to work? Especially if you see yourself as a team player and there’s no team in sight you would want to join. Driven by a sense of longing, helplessness and curiosity, Silvi tries to make new friends and, in her own, touchingly earnest but also naïve and charmingly uninhibited way, starts to take control of her life. Anonymous sex, cosy romanticism and bondage games catapult her from one emotional disaster to the next. But, thankfully, Silvi is indestructible.

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.

Some teenagers are ambitiously setting up a famous Jon Fosse-play. They hire a well known actor to be their mentor, unaware that he's going through a life crisis. Their new mentor chooses Vegard, promising footballer and local douchebag, to play the leading role.

Five short comic sketches, all unrelated to each other, except that they are all expressions of Italian sexual humor.

The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.

Studying music at a remote island academy, poor Mayumi (Aki Hoshino) and her classmates fall victim once more to erotic tortures at the hands of their corrupting instructors. Just in time, Kekko Kamen (Misaki Mori) takes center stage with a red mask on her head, nunchakus in her hands, and a song in her heart!