The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an elderly man’s fight to save his son. Arguably the world’s most famous political prisoner, WikiLeaks founder Julian Assange is a figure pretty much everybody has an opinion about; perhaps more importantly, he serves as the emblem of an international arm wrestle over freedom of journalism, government corruption and unpunished war crimes. For his family members who face the prospect of losing him forever to the abyss of the US justice system, however, this David-and-Goliath struggle is personal – and, with his health declining in a British maximum-security prison and American government prosecutors pulling out all the stops to extradite him, the clock is ticking.
Sigurdur Thordarson, known as Siggi, becomes a hacker at 12, exposing Icelandic bank corruption at 14. Branded the "teenage whistleblower," he joins WikiLeaks in 2010, mentored by Julian Assange. Siggi leaks globally, but clashes with Assange, prompting him to spy for the FBI at 18. This tale weaves paranoia, hacking, and friendship, portraying Siggi's turbulent journey from trust to betrayal, revealing a heart-wrenching coming-of-age narrative.
The film tells the story of the rise and fall of Julian Assange. Once a celebrated publicist and over the years decried as an eccentric, spy and rapist. The documentary shows a differentiated picture of Julian Assange and Wikileaks. For the first time in German television Assange’s fiancée gives an interview. Further interviews, amongst others, with former CIA-director Leon Panetta, Edward Snowden and John Shipton.
Der Fall Assange: Eine Chronik
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
Examining the meaning and significance of the insights that WikiLeaks shared with the world, the resulting behaviour of the governments involved, the extraordinary personal risk taken by Assange, and the wider fundamental issues around press freedom that affect all of us and our right to know.
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.
Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
Using images of Earth taken from space across the last 45 years and stunning time-lapse sequences, astronauts reveal how humanity is transforming the world - for better and worse
Through an acting game, the director's parents become movie stars to talk about the cancer they both overcame and the fear of loss.
A behind the scenes look at Bernardo Bertolucci’s classic film about the dark side of the sexual revolution: Last Tango in Paris, starring Marlon Brando and Maria Schneider.
A story about the most mysterious and, possibly, the most significant of the living Russian-speaking writers - "Russian Salinger". Sasha Sokolov is a classic of Russian literature and Russian modernism, who influenced writers such as Mikhail Shishkin, Vladimir Sorokin, Vladimir Sharov, Viktor Pelevin. True, so far little has been known about Sokolov itself.
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
Joanne is a model, a teacher, a fighter, a chameleon. But when her private semi-nude photos went public, this woman of many talents came to be simply known as 'the topless teacher'. Together with her former student, artist Simon Fujiwara, she seeks to reclaim her image through social media and branding tactics. Shifting between advertisement and portraiture, this meta-narrative on identity manages to infuse playfulness in its layered commentary on who you are and how you're seen.
Portrays the passionate racing communities across the country.
Občané s erbem
Film noir expert Eddie Muller and others discuss the classic film Trapped.
To children living in the rubble of post-war Germany, it was candy from heaven. Some saw it as a sign that somebody in America cared about them. To Colonel Gail “Hal” Halvorsen, who became known worldwide as the Candy Bomber, the Berlin Airlift was healing balm on the wounds of war. He and his fellow American pilots dropped more than two million tons of supplies and 23 tons of candy to German citizens and children during the Berlin Airlift. KUED presents the inspiring story of the Utah pilot whose simple gesture of goodwill won the hearts of a former enemy and made him a hero to people around the world.
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.