The Minimalists: Less Is Now

A traumatic injury and disability, the filmmaker is also the subject, trying to find his way out of a coma like state. Searching for answers, he begins to interview strangers also experiencing extreme life circumstances.

“Tragic Awakening: A New Look at the Oldest Hatred,” directed by Canadian-Israeli filmmaker Raphael Shore, interweaves historical analysis with contemporary events through the voices of clerics, historians, sociologists, and cultural commentators, including the late British Chief Rabbi Rabbi Jonathan Sacks, author Yossi Klein Halevi, Israel’s antisemitism envoy Michal Cotler-Wunsh, and journalists Bari Weiss and Douglas Murray. It argues that antisemitism stems not from a perception of Jewish inferiority, but rather from resentment of Jewish excellence and moral leadership.

In different territories of the Unesco Suthothai; a young blogger stumbles and discovers the most astonishing thing ever to be found.

The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.

Squirrelly Man follows the journey of Teddy Treadwell, a young Squirrel Enthusiast who stays in the local park district trying to protect the squirrels. Teddy finds himself spending many summers with the squirrels before he makes the mistake of sticking his head near a trash can. When this occurs, Teddy is attacked by a squirrel and needs to be taken to the hospital as soon as possible.

Disconnected is a compelling documentary that delves into the psychological and social impacts of social media and video game consumption. Directed and edited by 16-year-old Irish filmmaker Sol Stuart, this thought-provoking film sheds light on the science behind digital addiction and its effects on mental health, productivity, and social relationships. Blending scientific research with personal perspectives, Stuart interviews fellow student Colm Prole, who shares his insights and opinions on the growing influence of technology in modern life. Through candid discussions and careful analysis, the documentary challenges viewers to reflect on their own digital habits and consider healthier approaches to technology use. Created as an entry for the 2024 Trócaire Right Focus Competition, Disconnected earned a well-deserved third place, showcasing Stuart’s talent as a rising filmmaker and his commitment to addressing urgent social issues.

The film follows Brazilian Formula 1 driver Felipe Nasr as he competes in a real race, capturing a story unfolding in real time.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

A creative and personal retrospective of the renowned photographer Jindřich Štreit, accompanied by a selection of his photographs, footage from exhibitions, and encounters with those closest to him.

This feature documentary traces the political career of T.C. (Tommy) Douglas, former premier of Saskatchewan and leader of the New Democratic Party, who was voted the Greatest Canadian in 2004 for his devotion to social causes, his charm and his powers of persuasion. Known as the "Father of Medicare," this one-time champion boxer and fiery preacher entered politics in the 1930s and never looked back.

A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.

The fascinating landscape formations of Iceland in the North Atlantic bear witness to the beauty and primal power of nature. They were created through the interaction of powerful volcanic, geological and biological processes that have been changing the face of the earth for billions of years. This is what the Earth might have looked like four billion years ago. Iceland is the realm of ice and fire. Nowhere else is there such a high density of volcanoes. The landscapes, which are continually reshaped by eruptions, make the island a natural laboratory full of clues about the formation and development of the earth. The documentary follows a group of scientists through the most active areas of Iceland, along a mountain range that has emerged from the ocean. On the slopes of the volcanoes, in the fog of the fumaroles and on streams and rivers, the three researchers explore how the first forms of life populated the earth's surface and in what evolutionary steps they took over the earth.

The multi-generational story of women’s football in South Africa through the ambitious Mamelodi Sundowns FC. The film follows the team as they battle it out at the inaugural CAF Women’s Champions League in Cairo.

Tony Palmer directs this 1970 documentary about Scottish bass player and former Cream member Jack Bruce. The film tracks Bruce's life from his childhood in the Gorbals to the height of his fame with Cream and beyond.

Swim Sistas follows the swimming journeys of three very different Black girls/women as barriers are broken down in the water.

No ropes. No fear. Free solo legend Alex Honnold risks it all in a high-stakes, live ascent of one of the world's tallest skyscrapers in Taipei, Taiwan.

The moral dimension of humanity's interaction with nonhuman animals and the industries that profit from their exploitation, as informed by world religions. A historical explanation of how the current global situation came to be.

ALLES AUS LIEBE - Das FahrschulDorf, das anders fährt

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.