A Boy on a Dock Blowing his Nose

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

This is the world of Washed Out's (Ernest Greene) new album Mister Mellow. Released as an integral companion to Mister Mellow is a full length visual counterpart that utilizes almost every form of animation (collage, claymation, hand-drawn, stop-motion). The aesthetic of each video reflects the handmade, "paint outside the lines" style of Greene's music – and again is a reaction against the sterile, hyper-realistic renderings of most modern digital-based art. The rich, detailed patchwork that makes up Mister Mellow (and its visual accompaniment) is unique in this day of quick-fix, throwaway music-culture.

"Phoools" dives into an artist's obsession with the simplest of shapes - a few ovals rotated around a circle, universally agreed to be called a flower. As he starts seeing this pattern everywhere, from drain covers to textiles, his perception shifts. The line between observer and observed blurs, reality melts into imagination.

Saturated colors and X-ray imagery swirl and bounce through wide eyed and frantic characters in a play of animation techniques, video overlays and stylized trippy imagery. An original experimental animation utilizing both stop motion and digital techniques to create mesmerizing sequences.

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.

SPACEBOY: na bagnie/idę stąd

A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.

Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.

A disturbing puppet short exploring the concept of creativity.

A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.

Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

In 2013, the Apache helicopter's targeting systems were updated from standard definition black and white to high-resolution color video, touted as a boost to pilot safety and U.S. military dominance.

denim and the 2000s

A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.

Perennial Stream is a portrayal of growth and decay. It is done on a single sheet of paper. Graphite marks are drawn, erased, then re-drawn, leaving behind a map of remains. A single, drawn line acts as a seed, which then propagates into larger forms, gathering to create a cyclic flow of movement and stillness within an abstracted ecosystem.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

A collaboration between artist Edwin Rostron and musician Supreme Vagabond Craftsman.