A Boy on a Dock Blowing his Nose

"Phoools" dives into an artist's obsession with the simplest of shapes - a few ovals rotated around a circle, universally agreed to be called a flower. As he starts seeing this pattern everywhere, from drain covers to textiles, his perception shifts. The line between observer and observed blurs, reality melts into imagination.

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

A disturbing puppet short exploring the concept of creativity.

In 2013, the Apache helicopter's targeting systems were updated from standard definition black and white to high-resolution color video, touted as a boost to pilot safety and U.S. military dominance.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

What would you do if a stranger disrupted your daily routine? The choice is whether to accept this person as a friend, or reject him as an outsider.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.

Sequel to Matilda

An animated exploration of the restraining and freeing of a bounded soul. A journey on the never-ending search of belongingness.

Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.

A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

The Asphodel Phases takes the viewer on a drifting exploration through a mysterious, abstract space, towards something alien deep within.

This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.

We swoop through action-filled rooms. Again and again, we fly past people and events without ever recognizing what is really going on. This film is a three-minute version of an endless-loop video originally designed as a project for exhibitions. It was shown at the Kunststiftung Baden-Württemberg, the Künstlerhaus in Stuttgart and the Goethe Institut in Paris.

This is the world of Washed Out's (Ernest Greene) new album Mister Mellow. Released as an integral companion to Mister Mellow is a full length visual counterpart that utilizes almost every form of animation (collage, claymation, hand-drawn, stop-motion). The aesthetic of each video reflects the handmade, "paint outside the lines" style of Greene's music – and again is a reaction against the sterile, hyper-realistic renderings of most modern digital-based art. The rich, detailed patchwork that makes up Mister Mellow (and its visual accompaniment) is unique in this day of quick-fix, throwaway music-culture.

A collaboration between artist Edwin Rostron and musician Supreme Vagabond Craftsman.