A Boy on a Dock Blowing his Nose

A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.

Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.

"Phoools" dives into an artist's obsession with the simplest of shapes - a few ovals rotated around a circle, universally agreed to be called a flower. As he starts seeing this pattern everywhere, from drain covers to textiles, his perception shifts. The line between observer and observed blurs, reality melts into imagination.

A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.

A disturbing puppet short exploring the concept of creativity.

‘Our Selves Unknown’ takes the book ‘Landscape in Distress’ as its raw material, reconfiguring its photographic illustrations, text and cover design into pencil and ink drawings, using a working process of self-enforced rules and restrictions, obstacles and chance.

Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.

Remote Life Drawings is an animated collage of abstract images that illustrate the neighbourhood of Taipei Artist Village in Taiwan. TAV is located at the centre of four distinct districts that exist in harmony in central Taipei. The film connects the four districts by using morphing animation, presenting the vague and complex atmosphere around the village.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.

This is the world of Washed Out's (Ernest Greene) new album Mister Mellow. Released as an integral companion to Mister Mellow is a full length visual counterpart that utilizes almost every form of animation (collage, claymation, hand-drawn, stop-motion). The aesthetic of each video reflects the handmade, "paint outside the lines" style of Greene's music – and again is a reaction against the sterile, hyper-realistic renderings of most modern digital-based art. The rich, detailed patchwork that makes up Mister Mellow (and its visual accompaniment) is unique in this day of quick-fix, throwaway music-culture.

An animated exploration of the restraining and freeing of a bounded soul. A journey on the never-ending search of belongingness.

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

SPACEBOY: na bagnie/idę stąd

Perennial Stream is a portrayal of growth and decay. It is done on a single sheet of paper. Graphite marks are drawn, erased, then re-drawn, leaving behind a map of remains. A single, drawn line acts as a seed, which then propagates into larger forms, gathering to create a cyclic flow of movement and stillness within an abstracted ecosystem.

Is consciousness a coincidence or the result of a delicate, inevitable evolutionary process? Is spirit replicable? Are we divisible entities or complete, infinite parts? Break-Cycle tries to make us experience a possible poetic vision of what would be the process of digitalization of our mind through a dreamlike and emotional journey in which the different natural conflicts inherent to consciousness will be manifested.