PEOPLE 2018 ★ THE FILM

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

Dexter e Convidados

Kant - Inferno de Kant Ao Vivo

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

Filmed at the Historic Wintershall Estate in Surrey, England, this concert brings togetzer a group of Rock Legends under the musical direction of Procol Harum's Gary Brooker to perform many of their best loved Tracks. An amazing line-up of star soloists including Eric Clapton, Katie Melua, Roger Taylor, Ringo Starr, Paul Carrack, Andy Fairweather Low, Gary Brooker, Chris Barber, and The Drifters.

Alcione: Uma Nova Paixão - Ao Vivo

Zizi Possi - Per Amore Ao Vivo

Léo Santana - Ao Vivo em Goiânia

Paula Fernandes - Origens

Paula Fernandes - Amanhecer Ao Vivo

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

"Fantasy: Mariah Carey at Madison Square Garden" is Mariah Carey's fourth DVD/home video release. It presents Carey performing live at the Madison Square Garden on October 10, 1995. The home video was originally released in early 1996, and the DVD was released in late 2004. It was distributed by Columbia Pictures.

SIMPLY RED: For The Last Time

Swing & Simpatia - Toda Noite - ao Vivo

Rita Coolidge: On Stage at World Cafe Live

Recorded live at the Coconut Grove in Los Angeles, Roy is joined by an eclectic ensemble of rock and roll superstars including Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits.

1997 was a marvelous year for the Bee Gees, with their recognition in the Rock And Roll Hall Of Fame, Lifetime Achievement Awards of the Brit, American and World Music Awards, the Australian Music Industry and the German Bambi Award, all concluded with the 'One Night Only 'concert at the MGM Grand in Las Vegas, their only live concert in 1997 and the first concert in the US since more than 10 years.

Sound Pictures by Music

Hanoise is a portrait of the little known, but very rich, experimental music scene from Hanoi, the capital of Vietnam. It showcases a diverse array of the city's musical mavericks and avant-garde explorers, merging the sounds of the city and the experimentations of a young community braving the local cultural prohibitions.

Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a firm reminder of just how foreign electronic sounds were to even the academic community only 40 years ago. Likewise, Paul Lansky’s private lesson with theremin inventor Leon Theremin is an example of how non-user friendly electronic musical instruments could be, even to people who should have the best sense of how to approach them.