Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
The seamy side of Los Angeles is revealed through the lens of a stolen video camera as it passes through a succession of owners.
In a decript apartment, a young man watches as his father and a friend shoot an amateur porn film. Issues of morality, reality TV and friendship are explored.
A lonely man with an intention of documenting every important detail is planning to kill his ex-girlfriend within 72 hours only to realize things are not as easy as he previously imagined.
"Infliction" is the actual assembled footage taken from the cameras belonging to two brothers, who documented a murder spree in North Carolina.
A young man's obsession with capturing the beauty of his wooden figure gets in the way of his personal life, his passion for his art driving a wedge between himself and his best friend.
Out of work TV cameraman Ron Kobelski is approached by his formerly reclusive neighbor Walter Ohlinger. Ohlinger claims that he was the mysterious "second gunman" that shot and killed President Kennedy. Ohlinger has kept quiet all these years, but has decided to tell his story now that he has been diagnosed with terminal cancer. Kobelski is skeptical of his neighbor's story, after his investigations provide ambiguous answers. His attitude changes, however, after he receives threatening messages on his answering machine, and spots shadowy figures in his backyard. Is Ohlinger telling the truth? Or is there a bigger conspiracy at work?
True crime documentarian Olivia Brandreth was nine years old when her father disappeared. The official police statement was suicide though no body was ever recovered. Twenty five years later, Olivia has returned to her childhood home to finally get closure in an unrelenting attempt to set the record straight. Blue Hour chronicles the journey of a dedicated film crew in their search to figure out what really happened that night in 1997.
Sor Angelina, virgen
When a New York City actor loses everything to an internet scam based in South Africa, his two best friends take him to Cape Town to track down the scammer. With the help of a charismatic local, their search begins promisingly, leading them into Cape Town's clubs, back alleys, and townships. But as they find themselves moving into darker territory, things prove to be not all that they seem, old rivalries flare up, and the limits of friendship are tested in ways the three men could never have imagined. Designed to look and feel like a documentary, 419 is a unique thriller about the mysteries of male friendship and the true cost of revenge.
A dramatization of the horrific and notorious Manson Family Murders, in the form of super 8 home movies.
Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.
Marvin finds an old friend of his, Jimmy, in his backyard.
Good Grief" is the story of Jack Hinkler, an average high school junior in search of love. When Butch, a fat dumb bully, jokes about Jack's mom, Jack lies and says that his parents are dead to make Butch feel guilty. This lie earns him the phone number of the beautiful and spontaneous Ann Stevens, who overhears Jack's story and whose parents really are dead. As Jack and Ann grow closer and she asks more questions about his past, Jack is forced to go to extreme lengths to keep the lie alive er, dead.
John Woo's experimental short film, made during his time in college. The line between genuine love and violent obsession is blurred when a man falls for a girl and proceeds to tie her up with rope to him, making her follow him around and bend to his whims until tragedy ultimately befalls them both.
After losing his father, a teenage boy decides to continue the family business and deliver pizza by bicycle during the zombie apocalypse.
Unexpectedly evicted from his house, Erki faces a rather difficult task to take care of his lonely mother. He’s forced to agree to become a corpse carrier.
The crew of a popular ghost hunting show gets more than they bargained for when they come across a location that's actually haunted.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.