Snow athletes Sam Smoothy, Xavier De Le Rue, Nadine Wallner and Fraser McDougall take on the challenge of skiing down New Zealand’s highest mountain, the notorious Mount Cook (Aoraki). Will extreme weather and icy conditions defeat them?
A Matter Of Doubt
Daulagiri (8167m), Naga Parbat (8125m) and Broad Peak (8051m) are among the 14 peaks in the world. Jean-Christophe Lafaille has set himself the goal of reaching these 3 peaks in the space of two months. This film takes us on a surprising journey that begins in Nepal and ends in Pakistan, while exploring the soul of this committed mountaineer… Ed Viesturs and Katia Lafaille accompanied Lafaille on his adventure.
Jean-Christophe Lafaille is the first mountaineer to attempt the solo ascent of the steep Himalayan face of "Shishapangma". As one of the 14 highest peaks in the world, Shishapangma peak rises over 8000 meters. Jean-Christophe defies the merciless conditions of the Himalayan winter. Without oxygen and exposed to extreme cold, Jean-Christophe, aware of the objective danger, is determined to achieve this long-held dream by reaching the summit by the magnificent British South West face course of 1982, with a new course on the first 1000 meters. He will reach the summit on December 11, some, like the Pole Krzysztof Wielicki, challenge him for the first. Jean-Christophe will be very upset and some of his relatives will be worried to see him then lock himself into an increasingly obstinate quest, some of whom were already guessing the outcome.
In their 58th feature film, Playground (narrated by Olympic gold medalist Jonny Moseley), Warren Miller Entertainment captures the latest in extraordinary winter sports action in stunning High-Definition with a killer soundtrack to match. From an indoor ski park in Dubai and the mystical elevations of the Japanese mountains to the frigid norther reaches of Sweden, this film follows the planet's leading skiers of the freeride movement - Jon Olsson, Sean Petit, Dan Treadway, Peter Olenick, and others - to exhilarating destinations where anything is possible.
BRAVE NEW WILD is an offbeat chronicle of America’s Golden Age of rock climbing before and after the controversial ascent of the Dawn Wall in 1970. Some forty years later, Oakley Anderson-Moore, the daughter of a pioneering climber, stumbles upon her father's old hi8 tapes, and sets out to answer the question: why climb when there's nothing to gain -- and everything to lose? Wry humor and an eclectic original soundtrack punctuate the delinquent antics of the Vulgarians in the ‘Gunks, the larger-than-life rivalry of Yosemite’s rock gods, and the fruit tramping, freight train hopping hobodom of her dad’s climbing life. This film is quintessential viewing for those who long for adventure.
Les Amants des Drus
It was a sporting feat, a national feat, but also and above all a technical feat: on October 15, 1978, three French mountaineers, for the first time, reached the summit of Everest: Pierre Mazeaud, Nicolas Jaeger, Jean Afanassieff, accompanied by Kurt Diemberger, Austrian mountaineer and cameraman A performance broadcast live on the radio thanks to the France inter teams and filmed for television by TF1. Christian Brincourt, a great French reporter, tells us about this expedition and questions the members of the expedition on their motivations. With Pierre Mazeaud (expedition leader), Jean-François Mazeaud (doctor), Claude Deck, Raymond Despiau, Nicolas Jaeger, Walter Cecchinel, Jean Afanassieff, Kurt Diemberger.
Magic in the Mountains tells the remarkable underdog story of how Squaw Valley, a little-known ski area in California, won the bid for the 1960 Winter Olympics and, with the help of Walt Disney, changed forever the ways in which the Games were presented. The documentary features never-before-seen archival footage from the 1960 Olympic Games and revealing interviews with participating athletes and attendees. The 1960 edition of the Olympics introduced a substantial array of “firsts,” including such innovations as live broadcast, instant replay, sponsorships, and an official Olympic Village for the athletes. Perhaps most importantly, thanks to Disney’s involvement in producing the Games, Squaw Valley featured an unprecedented — but soon to be standard — level of pageantry for the opening and closing ceremonies.
Patrick Gabarrou, Pèlerin des cimes
From dawn to dusk, a film crew chased storms from Austria to Montenegro, exploring familiar territory and venturing into the unknown. Their goal? Make a stunning ski film.
Film about skiing and other winter sports.
Since a 100 foot fall in 2002 that took his right leg and left him with spinal injuries, Colorado climber Craig DeMartino has led one hell of a life, including lauded First Disabled and In-A-Day Ascents on El Capitan. But his day-to-day life story is the one that should be making headlines.
Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.
The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.
Ueli Steck may be the greatest speed alpinist the world has ever seen. In this film he tells the stories of his record-breaking ascents in the Alps, accompanied by stunning aerial footage of him racing up 8,000 foot alpine faces. Ueli joins Alex Honnold in Yosemite to attempt speed records there. His ultimate goal: take his one-man alpine speed game to the largest, highest walls in the world.
When two former top orienteers end up in a snowstorm in Lapland wilderness, they face an impossible orienteering task: how to reach your destination when you can't tell earth from sky?
When four of the most influential riders in freeride history team up to shred a series of natural wonders, the result is bound to be nothing short of perfection.
At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.
Every year, over a thousand climbers try to reach the summit of Mount Everest, with the annual record for successful attempts currently standing at 633. But of that number, nearly half were Sherpas - the mountain's unsung heroes. Yet the Sherpa community has remained secretive about their nation, culture and experiences living in the shadow of the world's highest mountain. Now, for the first time, they open the door into their world. Without the expertise of the Sherpas, only the hardiest and most skilful climbers would succeed. Every day they risk their lives for the safety of others, yet they seek neither glory nor reward, preferring to stay in the background. Following the stories of four such Sherpas - Phurba, Ngima, Ngima Tenji and Gelu - this film reveals the reality of their daily lives, not just up the mountain, but with their families after they return home.