CBeebies Presents: Little Red Riding Hood - A CBeebies Ballet

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The story tells about a girl who was poor, but on the other hand so good and hardworking that she received a special gift from fate. A spinning wheel on which she could spin golden threads. And there was a count who liked her, but he liked the gold she brought with her to his house even better. And because he was greedy and wanted more and more gold, he decided that he too would weave the threads, even if his fingers were to fall off. And so he wove and wove, forgetting all that was good and beautiful around him. The girl, his friends, the whole world. But until then, the golden threads are woven, until the yarn breaks and fate says enough...

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A fairy tale about two princesses - sisters, one of whom wasbeautiful and superficial and the other less beautiful, but wise and saved the kingdom from famine. Where there was there was a kingdom in which lived two princesses. Pretty Margaret and wise Marietta. As they grew up, the differences between them deepened. Margareta was all finesse and longed for rich courtship all her days, while Marieta learned much from people, but also by observing nature. And so it came to pass that a handsome prince visited the kingdom, and both girls fell in love with him. At first he seemed to be in awe of Margaret's beauty, but in time his enchantment wore off and he began to take more notice of the spirited Margaret. But she put him to the test...

Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

In a time of superstition and magic, when wolves are seen as demonic and nature an evil to be tamed, a young apprentice hunter comes to Ireland with her father to wipe out the last pack. But when she saves a wild native girl, their friendship leads her to discover the world of the Wolfwalkers and transform her into the very thing her father is tasked to destroy.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

Screen adaptation of Eichendorff's famous novella. A penniless drifter roams the land with his violin and preferably sings his songs to beautiful women. Two of his female admirers get him employed as a gardener at a castle. Yet he doesn't settle down for long, and moves on to his next temporary job as a customs officer. Finally, he travels to Italy where he joins the gang of Rinaldo Rinaldini and eventually meets the love of his life.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

On a magical tropical island, a fun-loving group of misfit animals and people discover a baby dinosaur frozen since prehistoric times. When a king from a faraway country vows to capture the loveable baby dino for his private collection, all the inhabitants must join together to save their new friend.

A present-day idyllic kingdom where the benevolent teenage son of King Adam and Queen Belle offers a chance of redemption for the troublemaking offspring of Disney's classic villains: Cruella De Vil (Carlos), Maleficent (Mal), the Evil Queen (Evie) and Jafar (Jay).

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Ollie Dee and Stannie Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby, enraging him.

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

Happily ever after never seemed so far far away when a trip to meet the in-laws turns into a hilariously twisted adventure for Shrek and Fiona. With the help of ever-faithful Donkey, Shrek takes on the potion-brewing Fairy Godmother, pompous Prince Charming, and infamous ogre-killer Puss In Boots.