Suspension: The Ultimate Body Experience

A compilation of various accidents, disasters, executions, and other acts of mayhem and human feats caught on film.

A compilation of accidents, disasters, death, mayhem, and human feats caught on tape.

A compilation of various accidents, mayhem, death, gore, and human feats caught on tape.

A collection of footage and interviews with strange people and their exploration into the unusual and extreme side of body modification.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Ex flower child goes looking for revolutionary hero and finds a brilliant no-quitter with a good appetite.

A documentary focused on Melbourne's music scene around the year 2006. Features bands such as HTRK, The Stabs, Cosmic Psychos, Rod Cooper, and Love of Diagrams.

A documentary about the extreme films released from the 1970's-today with interviews from the creators.

Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.

A sub culture evolved in Sweden in the 1950s – Swedish greasers. The greasers were young and wild, drove American cars and rebelled against society. We meet the next generation of motorised youth the “Neo-Greasers”. What price are they willing to pay to live a demand-less life?

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

La folie du tatouage

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.

First-time feature filmmakers Heretu Tetahiotupa, Christophe Cordier delve into the ritual art of Marquesan tattoo, sharing its cultural and historical significance by reenacting the past and challenging the present.

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

In 1989, a group of avant-garde artists who had collaborated in private for years received permission to organize their own exhibition at the National Art Museum of China. However, one of the terms was to exclude performance artists from participating. The seven artists who were left out took action. At the opening ceremony, their lives changed as the sounds of gunfire rang out.

A wine documentary exploring the most suitable types of wine in extreme environments for the future of tourism. Episode 1 follows sommelier Bojan Radulovic and the deepest professional wine tasting ever attempted at -300m in a submersible.