A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
Hudba Svetozár Stračina
Go behind the scenes with one of London's most important musical institutions.
The Italian Character: a film within music and about music. The Italian character is the story of one of the most renowned orchestras in the world, enriched by archive material of the last thirty years about the great conductors who have been performing on the most famous rostrum in Rome.
Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
A humorous documentary about the search for a great composer who managed to overcome his depression by spelling his own name wrong.
Classical music doesn’t exactly have a reputation for being hip. For too long it’s been seen as a stuffy genre for the high cultured elite. WHAT WOULD BEETHOVEN DO? follows a number of renegades, from composers flirting with modern mediums, to young musicians dedicated to changing the narrative, to a man who’s bringing turntablists and orchestras together. Notable artists such as, Bobby McFerrin, Benjamin Zander and Eric Whitacre add their voices to the debate about why classical music is still relevant today.
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
Hudební jaro
Anna Netrebko und Rolando Villazón singen "La Traviata"
This is a full-length documentary honoring the life and work of American composer and artist John Cage. Cage is considered one of the most influential composers of the 20th century. This documentary features interviews with various personalities from different fields as they introduce us to the life and work of this great American artist.
Made to celebrate the 250th anniversary of Mozart's birth, IN SEARCH OF MOZART is the first feature-length documentary on Mozart's life. Produced with the world's leading orchestras and musicians, told through a 25,000 mile journey along every route Mozart followed, this detective story takes us to the heart of genius. Throughout, it is the music that takes center stage, with the jigsaw of Mozart's life fitting around it.
Ľubica Rybárska
Zahia - Un Temps d'Avance
Giacomo Puccini – Die dunkle Seite des Mondes
Ecce Homo Bedřich Smetana
Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.
In a mixture of feature film, music documentary and animated comics, historical facts are retold, analyzed and interpreted in modern settings. Ludwig van Beethoven, played by Lars Eidinger, becomes a contemporary of today's audience. Quick-tempered, irascible, curmudgeonly - that is the common image of Ludwig van Beethoven, the composer with the wild lion's mane. But there is also another Beethoven - young, seductive, spirited and, above all, combative.
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.