It's closing time at Nina's library. Goodnight, patrons!
Each portrayed painter produced an experimental animated short film to be featured in this film. A short film by Herbert Seggelke.
Animated film made with glass-splinters
An old man remembers his brother from photographs, whom he only meets again in a late rubble world. This brother is a bomber pilot. The old man drives a wheelchair through a landscape that resembles the end of time.
The cruel Professor Savantas invites himself into an oasis cut off from the world to recover a huge diamond, which is the totem of the indigenous population and the keystone of the magical balance of the place.
A ballerina, who is not very popular at class, practices ballet while imagining an idyllic world where she is happy dancing and floating through fantasies about love, movement and emotions.
Tauromaquia
Going Green
Kujiratori tells the story of school children pretending they are building a boat. As imagination replaces reality, they find themselves on the ocean, hunting for a whale. A big, gentle whale appears, accompanies them back to land and plays with them. Then the fantasy ends and the children are back in their class room.
Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.
The film is about Koro the puppy, who runs away from his mistress, experiences some adventures around town and who is finally happily returned home.
Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
'What would you be willing to do for them to love you? '
Petit homme
Louis
A slug doesn't move any faster than a peeing scout.
Iki mixes old and new technologies to create a film that evokes both the sights and sounds (hum of cicadas) of a hot Japanese summer. Black and white photographs of a Shinto shrine, summer landscape and an old Japanese-style house provide the backdrop and CGI technology adds the visual interest in the form of an unusual little girl and her ghostly frog companion. The ghost in this story is more a curiosity than something scary, and the use of a fish-eye lens and other distortions suggest both the sweltering humidity of summer and also imply that the frog is an imaginary creation of the young protagonist
In Kei Oyama's grim Consultation Room, a medical diagnosis triggers a wave of traumatic fantasies, portrayed in greyish pencil drawings that waver as if left out for too long in the rain.
An amateur short stop-motion animation about simple adventure of prehistoric caveman, which Tim Burton filmed when he was young.
Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.