Manrunq

Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

The documentary tells two very different human fates in the 1920s Soviet Union. Nikolai Vavilov was a botanical genius, Trofim Lyssenko was an agronomist who made great promises and fake inventions. Each of them tried to solve the country's nutritional problem, but only one succeeded.

Barley Scott Blair, a Lisbon-based editor of Russian literature who unexpectedly begins working for British intelligence, is commissioned to investigate the purposes of Dante, a dissident scientist trapped in the decaying Soviet Union that is crumbling under the new open-minded policies.

On the creative collaboration and friendship between the staff and students of a youth music school in Leningrad and organ master Justinas Pronckietis (Юстин Пронцкетис).

In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.

The movie describes the last remaining years of the great Azerbaijani poet, Huseyn Javid who was the victim of 1937-1938 USSR repression.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Once upon a time, a King had eleven sons and one daughter. When his wife, the Queen, died, the King remarried. The new wife and the children's stepmother looks beautiful on the outside, but actually she's an evil witch. She sends the young princess Eliise to live in the village as an ordinary peasant girl and turns all the princes into wild swans. The princes are stuck being swans all day long and only at night can they regain their true form. When Eliise is 15 years old, she learns about the fate of her brothers and now she must overcome the obstacles put in her way by her stepmother in order to release her brothers from the spell.

The film tells a story about the extraordinary journey of the modest little girl Gerda. She is looking for her friend Kai, who was kidnapped and taken to her kingdom by the powerful evil Snow Queen. In search of her beloved friend, Gerda ends up in the castle to the cunning, insidious and at the same time funny king, meets forest robbers. On the way, the girl will have many obstacles before the decisive battle with the Snow Queen. But Gerda’s faithful heart will overcome all adversity...

A story based on the tales "The Marble Heart" and "The Spessart Inn" by Wilhelm Hauff.

Based on true events, an American submarine collides into a Soviet sub of the coast of America and an ensuing standoff occurs that could lead to total annihilation.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.

A story about the clash of two cultures, two worlds - traditional Tajik culture and the new, invading and imperialist in its nature, Soviet culture, about the formation of self-awareness of the Tajik dekhkanin in the 1920s-1930s.... Poor Hasan thinks and experiences a lot before he is able to comprehend the changes in his life, to realize that old traditions and customs are no longer valued. Bent by need and disenfranchisement, he finds the strength to stand up against the Basmachi.

Early documentary about the Moscow metro: the early project, the development and the people working on it.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Petrograd, Soviet Union, 1920s. Boris Letush, devastated by a personal tragedy, feels the need to put his conscience and his principles before the demands of the cruel system he serves, where law and justice are systematically ignored.

Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...

From the man who brought you "Yevaylen" and "Nayev" comes a hilarious peek into the Armenian condition and the necessity of laughter in life. Vahe’s third hysterically funny and engaging monologue tackles diverse topics such as family, marriage, surveys, concentrating on the Armenian American identity and finally the importance of laughter. Along with personal stories and meditations on the Armenian condition, Vahe tries to find an answer to the question “Are the Armenians truly happy, or – as an Irish newspaper claims – are we the saddest nation on the planet?” Vahe performed Dagaveen for over four months at Rococo in Pasadena, California, and has taken the show on the road to various cities in the U.S., Canada and Europe to packed audiences.