The Four Horsemen

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A short film by Furukawa Taku.

Walt Disney Treasures - Silly Symphonies

A young warrior and her familiar search for the sacred place said to fulfill wishes. It's best not to anger the ancient guardians and spirits.

The history of the fan.

Several unique specimens of highly ornamented porcelain are shown in series. In each case the various pieces of ware are in reality formed of living people. After a short time has been allowed for admiration of each article, it disintegrates into the individual models, who pose in various figures and dances. In the following pictures are seen a powder box, a clock, candle sticks, a loving cup and a vase, all of wonderfully ornate design, beautifully colored. (Moving Picture World)

Mateo is an unscrupulous young real estate agent. He lives in a house where nothing is lacking, but his well-off life will be disturb one morning because of the presence of an intruder.

A man finds a way to travel to another dimension. It's beautiful and fascinating there...but not everything is what it seems.

A parable made in the manner of an old silent comedy about artistry and illusion.

A man's bathroom routine triggers a miraculous vision in a nearby church.

In a fairy tale world, a winemaker creates the most exquisite wine in the world. When Death herself wants to taste the wine, he discovers that his bride is next on Death list.

After discovering a mysterious door in the middle of a park, twenty-somethings Ethan and Bella open the door and walk through, only to find themselves in their 10-year-old bodies on the other side.

A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

A camera tracks through endless rooms while lives unfold.

Manatsu and her friends receive an invitation to a dance party from the Healin' Good♥Pretty Cure team, however it starts in just three minutes. They head out for "Dancing Island" with great haste, but unexpected things occur. Will the Tropical-Rouge! Pretty Cure team safely arrive at the dance grounds and Tropica-shine while dancing with the Healin' Good team?

A man is hell-bent on leaning towards the forces of luck as he searches for the final winning lottery digit.

Like all the women of Europe, Eva gives her menstrual blood to keep peace in place between humans and vampires. But this injustice must end...

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