One Last Taste

A man trying to get home to his dog becomes stuck in a time loop that forces him to relive a deadly run-in with a cop.

An unexpected tropical encounter sparks a fragile romance between a wanna-be astronaut and a village farm boy.

An Irish Traveler father struggles to raise his son, who has darker secrets than most.

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A teenage boy navigates the final minutes before his first theater stage performance, which includes experiencing his first kiss. Despite his rising anxiety, he shares a romantic moment with a classmate.

Biscut is a powerful film on the state of politics in Uttar Pradesh and offers a gritty and hard-hitting take on the treatment of the backward classes and their never-ending exploitation in the caste-dominated political landscape of Uttar Pradesh.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Iran, 1984. Homeless brothers struggle to survive in a country at war.

In the dead of night a troubled youth from an East London estate, Ray Marsden stalks into a hospital ward demanding to see the patient. The attendant Nurse, Lynne McDermott is sceptical about Ray's motives but gradually uncovers the truth about his violent past and in so doing makes a startling discovery that will change both of their lives forever.

This delightful short is a world away from Tomomatsu's later works. It's a lovely story, told well. The reason that I tracked it down is because I'm quite a fan of Alice Sailor's music. She fronts new wave band Amaryllis and I was curious to see her acting. She has frequently supplied theme songs and other music to several of Tomomatsu's films. Indeed, the most disturbing sequence in this movie is accompanied by a psychotic Amaryllis track, 'Haha', and the closing piece is another Amaryllis song, 'Usagi'. This rip comes from the 'Eat The Schoolgirl' DVD, where it was one of the extras. Having just watched the main feature from that disc, I can say with some certainty that I found this tale far more enjoyable.

I always left that memory buried deep in my mind. Until one day she came back as a movie.

Ella, a young aspiring actress, stands at a crossroads, pondering her journey on the day of a career-defining audition. her career. No matter how small, every decision can change the course of her day, illuminating the subtle battles of everyday life. In the heart-vibrant chaos of Paris, Ella navigates the complexities of her identity: a foreigner, a woman, and a proud member of the LGBTQ+ community.

The Stranger

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.

Lance can't seem to shake an awkward encounter after a stranger touches his hair.