Ballad of the Skeletons

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.

The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.

John Cohen, founding member of the ‘50s folk troupe the New Lost City Ramblers, started making films in order to bring together the two disciplines he was heavily active in: music and photography. The End of an Old Song brings us to North Carolina, and demonstrates the power of old English ballads sung with gusto while soused in a saloon.

The life of Moses as told through the Book of Exodus, the imagination of a dying boy, and the ballads of his father.

The kings of twang perform live at the Birmingham NEC in 1986, stepping out of Cliff Richard's shadow to showcase their own back catalogue of hits, including 'Apache' and 'Cavatina'.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

James Gorse invites his enemies over, one-by-one, to exact his revenge by coaxing them to take a dip in an acid-filled swimming pool!

This story happened a long time ago, when the mead makers kids skillfully knew their business, and their magnificent drink was appreciated and famous far beyond the borders of the land where they lived. One insidious and cruel ruler destroyed almost all of these mead makers. And when summer came and new heather carpeted the fields, the ruler began to yearn for the lovely drink, therefore ordered his subjects to get it...

In a huge fantasy world, two goblins miss the biggest events of their lifetime; the second coming of Jesus Christ, the big football match and the thousand year war. Despite the fact it’s taking place right outside the window of their grimy apartment.

A man is wrongfully buried alive, and starts to descend to the Underworld.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Eloise lives alone, shutting others out of her life, committed to her art. The film follows her internal rationale as she is forced to address a haunting secret hidden away in the depths of her home.

When two unlikely friends embark on a journey to find the world's best bourbon, they encounter strangers, freaks, and a plethora of zany horrors that will leave them forever changed.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

This fascinating film documents the U.S. premiere production of Originale, a Happening by German composer Karlheinz Stockhausen. Filmed at the "2nd Annual Avant Garde Festival of New York," which was produced by Norman Seaman and Charlotte Moorman, the stage production was directed by Allan Kaprow. Performers include Nam June Paik, Moorman, Jackson Mac Low and Allen Ginsberg, among many others.

The Count of Courvallon, whose gallant exploits have made the headlines, has uncoupled and lives in a pleasant estate in the C te. He has a son, Edouard, and a stylish valet, Antonio. This peaceful life is disrupted by a battalion of penniless girls living in a neighboring villa. Luisella has the nerve to introduce herself to André de Courvallon as his daughter, and immediately her comrades follow suit. The supposed father is not fooled, but his son takes it badly, especially as he has fallen in love with Luisella. Fairy tales always have happy endings.