People Without Faces

In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what this colonization was really like, so "beneficial" that they themselves perceived it as the oppression of one people by another. Three of them, who today would be called "pieds noirs," in other words, those Europeans to whom France, the occupying power, gave the best land, taken from the indigenous populations, work, and exclusive rights, not shared by the entire population, lived rather well compared to the majority of the "natives." The fourth was far from all that and lived in Argentina. Annie Steiner, Felix Colozzi, Pierre Chaulet, and Roberto Muniz explain to us what led them to show solidarity with the struggle of the weak, the humiliated, and to risk their freedom and their lives by committing to liberate Algeria.

A film about dreams and ambitions in the Belarus through the eyes of the younger generation. An insight into the recent history of Belarus and the growing movement for change in 'Europe's last dictatorship'.

In the mountains of Chiapas, a rebel experiment in autonomy continues to thrive – thirty years after its declaration of war against the Mexican state. ¡Ya Basta! 30 Years of Zapatista Autonomy, a Modern Insurgent documentary, explores the legacy and future of the EZLN, reflecting on how a masked, rural rebellion reshaped Mexico’s political landscape and inspired activists across the globe. What does revolution look like when it refuses to seize state power? And what can the world learn from a community that continues to build its own system from the ground up?

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

Que Esse Grito Não Seja em Vão!

Many of them participated in the struggle for Algerian independence. There are "those who believed in heaven", priests, Christians committed against torture, friends of the "natives", there are "those who did not believe in it", communist activists, students, progressive intellectuals, others remained in this country because they could not imagine living anywhere other than in this land of all passions. They are European and chose to stay in Algeria after independence, most of them opted for Algerian nationality. The film is another vision of the history of Algeria from the end of the fifties to the present day, told by these Europeans filmed at home, or in the context of their activities, illustrated by unpublished archive documents.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.

Building Communism isn’t just about destroying the status quo, it’s about bringing people together in the process.

How to Fix the World? is a comprehensive and informative documentary about direct action in the 1990s and 2000s, directed by Jouko Aaltonen. In the documentary, anarchists, climate activists, and squatters openly describe their experiences and link them to mainstream phenomena in society. A wide range of archive material sheds a light on the history of direct action and activism in the Finnish society.

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

España una, Portugal cero. Memorias de un prisionero de Guerras

On September 16, 1920, as hundreds of Wall Street workers headed out for lunch, a horse-drawn cart packed with dynamite exploded in front of Morgan Bank — the world’s most powerful banking institution. The blast turned the nation’s financial center into a bloody war zone and left 38 dead and hundreds more seriously injured. As financial institutions around the country went on high alert, many wondered if this was the strike against American capitalism that radical agitators had threatened for so long.

Sueños colectivos

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

Wingsuit BASE jumping is often presented as a thrill seeking adrenaline rush. Spellbound takes us deeper into the more contemplative aspects of jumping, as David Walden and friends venture into the mountains around his home in New Zealand. Beautiful scenery and hypnotic cinematography eject us from our daily lives into a world of air, earth and flight.

Follows the defiance of two art institutions in the Caribbean: one closed but squatted by artists, the other fighting to stay open. Against the backdrop of political strife, Haitian and Guadeloupean artists grapple with the concept of freedom in their battle to preserve their spaces.

Into the Current tells the story of Burma's unsung heroes -its prisoners of conscience -and the price they pay for speaking truth to power in a military dictatorship.

Stories of maniac sailors, anarchist castaways, and the voyage of the S/V Pestilence: a video zine three friends and I made about finding a derelict sailboat, fixing it up, and sailing from Florida to Haiti.

Told through the charismatic voice of inmate Kenneth Reams, Free Men is a film about human resilience. In solitary confinement for the last 25 years, Kenneth has pushed back the walls of his cell to become a painter, a poet, the founder of a non-profit, and an art event organizer - while fighting at the same time for justice. At age 18, Kenneth Reams was convicted for capital murder without firing a bullet. He became the youngest inmate on Arkansas death row. Alongside art, the film shows how love can cross barbed wire and the length of an ocean in Kenneth's love for Isabelle, a French artist who wants to become his wife.