When We Pick Apples

In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.

Caught in forbidden love, Yong Joon defects from North Korea, leaving Jae Sung behind. Years later, a reunion forces him to choose between past and present.

A pious old man, who is a proponent of suicide attackers, comes to Kabul to visit his only son, who, after the holy war had remained in the Soviet Union. He had enrolled his son in a religious school "to study the Koran and return to the village as a Mullah". In Kabul he learns that his son had decided to become a divine suicide bomber so as to go to Heaven. The film presents two different forces of the inner world of the protagonist father: paternal feelings and the holy religious ideology. The spectator witnesses how he loses his only son and holy belief. Shot in chaotic and dirty Kabul, the film portrays the incorrect interpretation of religion and the conflict of generations.

A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

Young-ho, an Ethnic-Korean living in Japan, decides to close the pachinko parlor that he has operated with his mother Kyung-ja for 50 years along National Route 7 in Akita Prefecture, Japan. When he invites his mother on an overseas trip to celebrate her retirement, she expresses her desire to visit Niigata instead of going abroad.

Sugihara, a Japanese-born, third-generation Korean teenager struggles to find a place in a society that will not accept him.

In 1900, a clan attempts to strike a deal with a Chicago industrialist to get him to build cotton mills in their Deep South town.

Sung-geun is an untalented actor who makes a living playing minor roles. He happens to land on the role as Kim Il-sung, the former leader of North Korea, for the rehearsal of the South-North Korea Summit. Sung-geun becomes passionately immersed in his role, motivated by his son who looks up to him. However, the summit is not realized, and Sung-geun ends up lost in the delusion that he really is Kim Il-sung.

After defecting from North Korea, Loh Kiwan struggles to obtain refugee status in Belgium, where he encounters a dejected woman who has lost all hope.

Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

In WW2, twelve year old Soviet orphan Ivan Bondarev works for the Soviet army as a scout behind the German lines and strikes a friendship with three sympathetic Soviet officers.

The narrative unfolds in the 14th Century, when the European nations vie for supremacy within the Holy Roman Empire. The ambitious Austrian Empire, desiring more land, invades neighbouring Switzerland, a serene and pastoral nation. Protagonist William Tell, a formerly peaceful hunter, finds himself forced to take action as his family and homeland come under threat from the oppressive Austrian King and his ruthless warlords.

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

In Alexandru Tatos’s debut film, a young urologist is assigned to a town hospital with no urology ward and keeps bumping up against his superiors because of both ethical and medical problems.

In the wake of Glasgow’s rapid deindustrialization and economic decline in the 90s, a young Fraser falls victim to knife crime and is indelibly marked with a “Glasgow smile”, irrevocably impacting his sense of self and relationship to food.

Poongsan has the unenviable - and death-defying - job of delivering messages across the North and South Korean border to separated families. When South Korean government agents ask him to smuggle in In-ok, the lover of a high-ranking North Korean defector, into the South, the damsel and rescuer fall in love instead.

In 1951 ceasefire is declared, but two remaining armies fought their final battle on the front line Towards the end of the Korean War, a South Korean battalion is fiercely battling over a hill on the front line border against the North in order to capture a strategic point that would determine the new border between two nations. The ownership of this small patch of land would swap multiple times each day. Kang is dispatched to the front line in order to investigate the tacit case that’s been happening there.

After twelve years of imprisonment by their own parents, two Iranian sisters are finally released by social workers to face the outside world for the first time.

North Korea, facing international sanctions, seeks assistance from a Hungarian NGO to build churches in Pyongyang as a way to bypass the sanctions. The NGO proposes organizing a revival meeting with international Choir organizations, leading the Ministry of 5 Securities to apprehend believers. The "Victory Orchestra," a replacement ensemble, is actually composed of underground Choir members. As they sing hymns openly for the first time, their true identity as underground believers is revealed, creating moments of laughter, tears, and emotion.