Conversations Erased By The Listener's Rebellion

A neglected boy with a sweet tooth gets more than he bargained for when he receives a special visit from the mysterious Ice Cream Man, Mr. Sweetie.

In 1993, Jesús Parrado interviewed actor and director Jacinto Molina, world-wide known as Paul Naschy, and director Amando de Ossorio, two key figures of the Spanish fantasy cinema. In 2019, part of this footage is rescued. The rest has lost forever.

A girl from a broken home is visited in her closet by a mysterious creature who promises her anything she wants...at a price. ​

Every morning, Pedro carefully prepares coffee for Tiago, but even with all his extraordinary efforts, he is unable to prevent the drink from getting cold.

Upstairs-downstairs neighbors Dan and Mia have never met, but the thin floor between their apartments offers its own kind of intimacy. In an alternative reality where sounds – and the sensory memories that accompany them – can be captured in food storage containers, Dan approaches Mia with a proposal. He offers some of the sounds of his life in exchange for some of the sounds of hers.

After escaping imprisonment, a soldier continues fighting for his life.

Martin Short narrates the story of "his own" birth to explain the subjects of sex, conception, pregnancy and childbirth in an entertaining and educational way.

Angela is a domestic cleaner who keeps herself to herself. Mairead is a houseproud mother who, more often than not, finds herself alone at home with the children. When a mundane household accident forces Angela to add emergency childminding to her list of duties, a friendship begins between employer and employee. As the relationship blooms, they begin to discover that there may be more that bonds them together than just loneliness. But is this just another work-based transaction, or does it mean something else?

Return

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

Ross Fableton, an extroverted, confident, but hypercritical college student (22), wants nothing to do with his new, introverted, and standoffish stepbrother Ryan (20), and the feeling is mutual. When their parents go on vacation in an attempt to force the stepbrothers to interact, Ross and Ryan's sniping and pettiness reaches a boiling point - just as robbers break into the house. If Ross and Ryan can't overcome their sibling rivalry to try take down the robbers, this dangerous situation could have fatal consequences.

Vic, a mischievous high school student, flushes the pet fish of one of his hated teachers down the toilet, but soon, people begin to go missing.

At the end of World War II, a wounded German soldier, disguised as a Canadian, ends up in the midst of a hiding Jewish family.

Freedom man and Willy Wigger is faced with a new enemy from Freedom man’s past named Hans the german scientist who has an artifact that can destroy the world, will this be the end of freedom man?

Victims of a tragic air crash are honoured in a sombre military funeral procession through the streets of Hitchin.

In the summer heat of Catalonia, Pol and Bàrbara are lying down on a bed. An invisible wall that words won't break is pulling them apart. Old wounds take time to heal...

Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.

A phone call will change James's life in more ways than one.

Philly and Lilly are part of a small community of rain drops in the cycle of water. Their short and humorous lives followed by the question: What happens when we leave this world and how to deal with it?

An atmospheric look into loneliness and heartbreak, all through a highly experimental lens.