Run!

Bloom Towne is a small-town sheriff under the thumb of the well-established, deeply influential Mayor Dick Cavanaugh's family. When Bloom's two teenage sons, Nate and Skylar accidentally shoot and kill Dick during a deer-hunt, Bloom's long-held allegiance to the reigning Cavanaugh clan is tested. Skylar (still a minor) decides to take the wrap for his older brother Nate, claiming he fired the fatal shot. The Cavanaugh family's quick retaliation sends Skylar on his way to county jail, soon to be tried as an adult. Desperate and guilt-ridden, Nate breaks Skylar out of jail and sets off a chain of lawless acts, which send them deep into the woods and on the run. Bloom's choice between the law and his sons leads to revelations of old family secrets that threaten to destroy everything he loves.

God, disgusted with what has become of humanity, decides to eliminate his creatures for good. Paradoxically, Satan is the only one standing in his way.

When two bounty hunters from different backgrounds stumble upon the same prize, they are forced to work together to navigate the treacherous galaxy.

A brain damaged artist gives his first interview, and finds himself confronted by everything that has led him to this moment.

Pilot that was not picked up by ABC about the escapades of skid-row bums living at an inner-city mission.

Life at the office isn’t always as it seems.

Die Show der Shows

The Big Fat Man Child returns to watch another grotesquely funny anthology of madness.

An awesome collection of underground sinister and seedy tales by notorious grindhouse film makers Jason Impey and Kieran Johnston. Witness bizarre stories unfold featuring sadistic killers, crazed gimps, necrophiliacs and evil Nazis where each tale pays homage to the great exploitation era of cinema.

Erwin blows his first acting job and finds himself stranded in Texas, where he's taken under the wing of a nearly bankrupt oil driller Merle and his cohort Faye. The three set off on a wild adventure to outwit the bank and a corrupt oil company to hit pay dirt before Merle's dreams are foreclosed.

Previous shows have seen her tackle structural racism, sexism, child grooming, adoption and emotional abuse so what seemingly unfunny subject has she picked to turn into laughs this year? Chernobyl? The shrinking size of creme eggs? No, empathy. Which sounds fine actually but maybe not the way Kiri tackles it. Kiri thinks that we live in a time where empathy is seen as a weakness like asthma or being first to pull away from a handshake. But why is that? Surely what we need in these divided times is more empathy? So Kiri is off on a search to find a group of people who she struggles to empathise with, what could this mean…..? Well, it means she’s spent the last year talking to non offending paedophilles on the internet. Yup, her search history is a disaster. So, come and see her make the impossible hilarious or possibly get arrested.

Wanda wants to take care of everyone in her life. She barely has time for herself, not that she would know what to do with it anyway.

Three odd guys set out to make music together.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.

Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents -- again.