On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.
Maïco : Marie-Claude Vaillant-Couturier, la révoltée
何以为家
Rob Ford scandalized Canadian politics as the brash yet beloved mayor of Toronto — until an infamous video of him smoking crack sparked his downfall.
Featuring tell-all interviews with insiders and former staff, this exposé traces American Apparel's journey from fashion phenomenon to financial flop.
This 1978 documentary classic is an inside look at the old-style Chicago Machine politics of the Richard J. Daley era, where Alderman Vito Marzullo ran his West Side 25th Ward virtually unchallenged from 1953-1985.
Shot in Southern England over the course of six weeks by a crew of three American filmmakers, CircleSpeak offers a nuanced look at the passions and beliefs of the people immersed in the crop circle phenomenon during the season of 2001. This feature-length documentary presents interviews with serious “researchers”, self-proclaimed “hoaxers”, local farmers and villagers who are all, in one way or another, involved in this strange and compelling summer spectacle taking place year after year.
If you want to find world-class artisans, the small northern Labrador community of Hopedale offers you some of the best. Created through the St. John's International Women's Film Festival's FRAMED film education series, in partnership with the Nunatsiavut government, this film focuses on three prominent local craftspeople- two carvers and one traditional sewist.
Afrique-France : le divorce ?
This documentary film explores the world of the bow and the extraordinary masters who make them. The bow is the Cinderella of the orchestra—the overworked and overshadowed ally to its more glamorous partners. Few people, even among lovers of classical music, think of the bow as an instrument in its own right, but players of stringed instruments see them differently. To musicians, the bow is as essential to expressing the soul of the music as the violin or cello. The film follows the journey of the “silent servant” of the music world—from the workshops of the virtuosos of the trade, to the birthplace of the bow in France, and to Brazil, home to the imperiled tree from which the world’s finest bows are made.
J'écris dans l'espace
On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.
A look by Sheena McDonald at how ordinary people come to do horrible things. This is a politics lesson based on history and psychology.
Elizabeth II, 70 ans de règne de secrets et de scandales
In the 1950s, Havana shines as a vibrant metropolis—alive with music, casinos, and cabarets. However, beneath the allure lies a city controlled by the American mafia, where luxury contrasts sharply with the poverty endured by most Cubans. U.S. tourists escape Prohibition and moral restrictions back home. Icons like Ernest Hemingway, Frank Sinatra, and Ava Gardner revel in the city’s rhythms, frequenting hotspots like the Hotel Nacional and the Tropicana nightclub. Yet beneath the surface, corruption and oppression grip Cuba. Dictator Fulgencio Batista secretly partners with the mafia to build a “Las Vegas in the Caribbean” fueling unrest as the Cuban people suffer. This tension paves the way for Fidel Castro and his revolutionaries, who, on January 8, 1959, triumphantly enter Havana and end U.S. dominance on the island.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.
An analysis of the causes, social, political, and economic that caused the rise of Hugo Chávez as president of Venezuela; his abuse of power and the response of civil society, including the student movement; his political fall as well as the secrecy that surrounded his illness and the succession of Nicolás Maduro.