Enfants placés : les sacrifiés de la République

THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.

American states and parents in both Europe and the United States are engaging in a joint fight against digital giants to ensure their responsibility in the addiction of young people to screens and social media is recognized. Among them, five women have chosen to disrupt their daily lives: Alexis, Kathleen, Elisabet, Laure, and Socheata.

A direct, uncompromising look into the complex machinery of Quebec’s youth protection services (known as the DPJ). https://lustitia.com/en/productions/dpj/

"It’s not easy to find a foster family for you," an orphanage supervisor explains to nine-year-old Alicia. "After all, you are a very special girl." Alicia is crying. "I’m not special. I’m just a girl." This disturbing scene sets the tone for this film about Alicia, who was taken away from her teenage mother by the Child Welfare Bureau when she was 12 months old. She’s been living in an orphanage since the age of five, and they have never managed to find a foster family for her. In Alicia, we watch as she becomes a teenager, still craving safety and love. Over the course of three years, filmmaker Maasja Ooms follows her daily life up close. Alicia's yearning and powerlessness are palpable in these observations, which painfully reveal the effects of having no prospects.

Enfants placés : que fait la République ?

On Fanø, Denmark, three young families have their lives brutally turned upside down when the municipality suspects them of having abused their children. The suspicion is unfounded, but the damage is done, and the families are now dragged through a process involving child interviews, police interrogations, and more. Is the law on protecting children from abuse too far-reaching, or is it simply the price some must pay to prevent serious cases of mistreatment and neglect?

In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.

During World War II, South Sea beachcomber Walter Eckland is persuaded to spy on planes passing over his island. He gets more than he bargained for as schoolteacher Catherine Frenau arrives on the run from the Japanese with her pupils in tow!

Wherever 9-year-old Benni ends up, she is expelled. She has become what child protection services call a “system crasher.” But she is not looking to change her ways, and has one goal: go back home to her mother. When anger management trainer Micha is hired to help, suddenly there is hope.

Angelina lives in a big city on the sea coast, where handsome men and beautiful women are strolling the streets with only one purpose: to have fun, flirt and love. But Angelina, being pretty, intelligent, and nice, finds herself lonely. She is a police officer and her job is helping abandoned kids, orphans, and troubled youngsters. One day one of her charges, a little boy, explains to Angelina how lonely, dull and useless she is. Those words have been bothering her ever since, and she decides to change herself.. Angelina starts her way through the darkness…

Masaru Aso was the lab assistant of geneticist Doctor Mochizuki, used as one of his experiments related the creation of the Neo Organism, enabling him to transform into a grasshopper-like being called Kamen Rider ZO. He fled into the mountainside and went into a coma before he was awakened by a telepathic call two years later with an unconscious urge to protect Hiroshi Mochizuki, the son of Doctor Mochizuki.

Once upon a time there was Louise and her friend, the magician. But his last trick left a bitter taste in her mouth. He disappeared in a curtain of smoke… never to appear again. This is too much for the young woman. Devastated by endless grief, Louise is sent to a psychiatric asylum, resigned to the idea that she will swallow pills till the end of her days. Yet nine months later she gives birth to a child who is likely to have a big problem for his future class pictures, since he’s invisible. But Louise doesn’t care. He’s her angel and, wanting to protect him from this cruel world, she decides to keep his existence a secret. Years later, Louise’s angel has grown up. He even managed to find a girlfriend; Madeleine. The two become inseparable, for Madeleine never judges him. And for good reason: she’s blind.

Barbara was caring for her grandchildren when her granddaughter Tiara was taken from school by welfare workers. Barbara fought for the next seven months to have her returned and finally won but the consequences of the removal on the family will never go away.

Boomah is notorious and knife-savvy female gang member who becomes embroiled in a power struggle between street thugs and religious extremists while battling the traumas of her harrowing orphaned past.

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.

Ten years after the release of their controversial documentary Metallica: Some Kind of Monster, filmmakers Joe Berlinger and Bruce Sinofsky catch up with the members of the band at the 2013 Toronto film festival world premiere of their 3D feature film, Metallica Through the Never, using the premiere of the new film as a springboard to reflect upon the legacy of Some Kind of Monster, its influence on the band and their experiences during the decade since its release.

In a post-sexual revolution world, roughly one-third of all women have never experienced an orgasm. Armed with shocking sexual data, a bunch of insecurities and a determination to unlock the key to feminine sexual energy, filmmakers Catherine Oxenberg and Gabrielle Anwar seek out sexual experts, tantric masters, researchers, and everyday women to unearth feminism's full potential.

Judit Ember returns to follow the life of Nóra Szabó, the heroine of her documentary film 𝘛𝘢𝘯𝘵𝘰̈𝘳𝘵𝘦́𝘯𝘦𝘵 ("Instructive Story", 1975). The troubled young woman who formerly attempted to commit suicide by jumping off a fourth floor is now an unmarried and pregnant mother with two children. Her own mother also brought up her children in similar circumstances, in a closed community without men. But Jenő, the unflaggingly energetic labourer and father of Nóra’s third, as yet unborn child, brings change into their lives.

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.