A woman with a tragic past decides to start her new life by hiking for one thousand miles on the Pacific Crest Trail.
On the cold outskirts of town, something is about to happen. In our own way we are all waiting for something to happen.
The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a dreamlike quality, the man’s devotion to this task is tested and taunted by a young couple that frolics around the barrel.
An aspiring animation creator's dreams start coming true when she is met with a charismatic young boy. Jo and the Boy is not exactly a children's movie, but more of a Hollywood-style inspirational film set in the backdrop of an unspecified cold hill town and centered on a child enamored by cartoon characters. In fact, the only connect with Indian reality is that the characters speak Malayalam.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Piotr Kamler meets Luc Ferrari & Iannis Xenakis. A play of opposites: space, colour, forms, movements
The life and power of a distant, red galaxy, which is invaded by an external force, bringing in its wake shadows and destruction.
The story of a young woman named Jane 57821, who is living in a totalitarian near-future society where citizens are referred to as 'computers.' 'Dirty Computer' explores humanity and what truly happens to life, liberty and the pursuit of happiness when mind and machines merge, and when the government chooses fear over freedom.
The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.
The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
Two friends locked in a love-hate relationship bury a dead frog as rain beings to fall. They make a fateful decision to wait out the storm under a tree and wake up in a world quite unlike the one they left behind.
Going out for cigarettes at midnight, a woman sees a boy holding a big tortoise. Real or imaginary, this encounter changes her life for good.
An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
A kaleidoscope of painted cartoonish images including an obscene mouse. Born in 1936 in Tokyo, Keiichi Tanaami is one of the leading pop artists of postwar Japan, and has been active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist.