Breaking the Silence

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

Madres de luna

On the moors of a desolate land where the silence of the wind reigns, a mysterious man challenges four bloodthirsty savages responsible for a horrible crime.

The loss of a loved one, the grief, the risk of yellow skin, and a coffin, that is too much for Karl to face. Then it's much easier to fix a broken lamp. Karl meets Torben, a destined brother. An absurd, humorous, and melodic meeting between two old men captured by grief.

La chaqueta del botones

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

Created by Noburo Ofuji, who had been cartoon making since the 1920s, often with decorative paper cutouts. The character animation looks like it was done 15 years before, but a lot of the elements are highly original; design (those trees!), use of camera focus. Heavily musical in a manner that recalls animation's earliest use of sound. The lesson here is: "If you can't count on your friends, travel alone".

A quirky high school girl has to learn that you can't fit friendship into a checkbox.

Marcus Kendrick finds himself at a crossroads when presented with the opportunity of a lifetime. He approaches a studio that find his screenplay promising, giving his idea the chance to be developed at the potential cost of his creative integrity. His decision is the basis of his future career. Will he allow his dreams to be sold?

A highly emotive, visual feast set in the imaginative mind of a heartbroken panda called Herbie, who has recently broken up with his deer girlfriend Rice.

On the night of their mother’s wake, three estranged sisters divide their childhood home over a pot of magic mushroom tea while a family secret boils to the surface. A story about the tenuousness of memory, buried trauma, food... and psychedelics.

The boy, who is the idol of his widowed mother, returns from college with a collegiate record she is justly proud of. To mark the occasion his boyhood sweetheart and her mother come to spend a few days. The too-indulgent mother, however, is blind to the fact that the boy is spending most of his evenings in full dress, which should have told her that Bohemian society was engaging his attention. A showgirl, who learns that he will soon come into great wealth, determines to win him. Unsophisticated as he is, he is an easy prey. A friend of the family warns the mother of her boy's danger,

Ben wants nothing more than to have his estranged 15-year-old daughter, Victoria, back in his life. When Victoria asks to meet with him, Ben eagerly seizes the opportunity, but quickly realizes that her reasons for coming back into his life have nothing to do with reconciliation.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.