MAXIMÓN - Devil or Saint (66min.) is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.
In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.
By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.
Pakatakan (route des portages)
Innu assi (communautés innues)
Naskapi (nation naskapie)
Kayapos (Raoni, le chef kayapo)
Sous le shaputuan (rencontre Québecois-vs-Innu)
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
After many years of life marked by PTSD men and women veterans of the wars in Vietnam, Afghanistan, and Iraq, travel to the Peruvian Amazon to participate in shamanic ceremonies to heal their traumas. Stories about war and spirituality.
The CEO of Sinaloa takes an objective, in-depth, and original approach to the story of Joaquín "El Chapo" Guzmán, the head of a violent, criminal drug empire known as the Sinaloa Cartel. We tell the story through a business lens, breaking down the business models used by the Sinaloa Cartel to become one of the wealthiest organizations on the planet. Our film will focus on cartel strategies in terms of distribution, accounting, branding, mergers and acquisitions, human resources, termination, and of course - product. But we will never lose sight of the terrible violence this organization employed to reach its success.
Documentary that accompanies the exchange between the mestizo urban artist Xadalu and the filmmaker of the Mbya Guarani ethnic group Ariel Kuaray Ortega. As part of his artistic quest, Xadalu goes on an immersion in Guarani territory, accompanied by Ariel. While traveling between villages, Xadalu transforms his experiences into art. After this period, Xadalu travels spreading his work through the streets of several cities. Ariel accompanies him filming wherever they go. Xadalu introduces Ariel to a new world: the world of street art. United in the same fight for the indigenous cause, Xadalu and Ariel cross over for special places and experiences, while their relationship evolves and changes.
Back in 2012 I had my very first Ayahuasca ceremony and, needless to say, I was terrified. But it ended up entirely changing my life and that of my future family. Which is why I decided to revisit the medicine in 2018, participating in three Ayahuasca ceremonies over the course of one week in Costa Rica, and document the process. In the film, we tackle my personal story of trying to build London Real into a global media and transformation company while also struggling with my own disconnection from friends, family and my own species. We also dive deep into the division and tribalism currently facing all of us around the world.
Como Fotografei os Yanomami
Die Kunst des Heilens
Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.
Dr. David Suzuki explains how antibiotics have been over prescribed for decades and it has led to the fact that now there are bacterial infections that are resistant to them, and people are dying by the thousands.
Stoney Nakoda Film Project