Clipping: Splendor & Misery

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

With 8 Switches, Tim Wright presents six black-and-white microcinematic vignettes of retina-searing, hard-edged, epilepsy-inducing sound and vision; digital hallucinations drained of colour, synchronized to a soundtrack that is relentless and unsentimental. Each new section presents a variation on the same sleek, kinetic minimalism. As each section progresses, the razor-sharp line between a host of binary oppositions—black/white, figure/ground, silence/sound, here/there, on/off — dissolves through sheer velocity. The rapid-fire alternation between these binary oppositions acts like the flicker of film frames, accelerating until sound and sight are wed into a synchronous whole in which neither the visual nor the sonic takes primacy. Instead, each acts as mutually constitutive literalisation of the other. — Joseph Clayton Mills

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

A movie that starts out with the "Man in the Mirror" music video, it then changes to a montage of video clips of Michael's career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are "Smooth Criminal" and "Come Together".

Under a dictatorship that has banned music, a man hides a record until he is caught. Whilst paying for his crimes he stumbles across a repository of confiscated items, leading to events that will change the course of history.

The year is 4000, the year for lasergunslingers, aliens and scoundrels. DISCLAIMER: may also include revenge, greed, explosions, hologram poker and NO DAMN LAW! (Or horses.) Your typical space western, produced 2002 in Sweden.

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.

Le Rock expérimental des Instants Chavirés (ou comment en finir avec le jazz)

An abstract audiovisual poem by electronic musician and composer Ralph Lundsten.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

Sometimes it is very difficult to distinguish dreams from reality. What is a dream? Oblivion or flight? Dream collaboration with a love that no choice could suddenly seize every Love is invisibly present in everything:. In burning candles, trembling petals, or the whisper of the wind trembling wings of a butterfly - Failure to nowhere, drop into eternity, infinity soaring - Plast problems and worries of everyday savings, suffering, expectations. But then: dive in yourself, in its essence, in its original And the gap:. dizziness, drop, hover, dive into the freshness of dew, moisture, spring - Finally: enlightenment, cleansing , clarity of thought, the joy of existence. And then, the flight again, merger and dissolution of eternity.

Artist Statement: "Lovesick" is an abstract analysis of idealization, objectification, and the Other; a dark fantasy peering into how we view and explore the complex darkness of human sexuality.

A non-narrative visual short film made on 8mm Cassette Tape.

Incredible phantasmagoria of merry-go-round people, who are usually called the dregs of society .

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

Ripples uses images cut together to visualize the mind's eye of an architect as he considers his next project.

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

An alien invasion is caught in the surveillance cameras of an office building during a weekend work party.