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Laurence au marché

Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.

100 papiers

Blanche faïence

2018 short film by Patrick Bokanowski

Choreography of an imaginary journey.

33 internships at 33 years of age, and still no job! Thrown out by his dad, Jean-Claude finds himself on the street with only 5 Euros in his pocket. Will he put them to good use?

The following 112 shorts were directed by William Hanna and Joseph Barbera at the Metro-Goldwyn-Mayer cartoon studio in Hollywood, California. All shorts were released to theaters by Metro-Goldwyn-Mayer between 1940 – 1958. The original MGM Hanna-Barbera classics are a total of 114 shorts. Volume 1.

38 Classic Episodes from the 1940's and 1950's. Disk One: 20 shorts from the 1940's. Disk Two: 18 shorts from the 1950's.

Vol. 3 completes the Hanna-Barbera Tom and Jerry cartoons, save for Mouse Cleaning and Casanova Cat. According to a Warner Home Video press release, these cartoons were omitted from the set for racial stereotyping.[1] (These cartoons are presented uncut on the European PAL DVD set Tom and Jerry: Classic Collection, with Mouse Cleaning appearing on Vol. 2 and Casanova Cat appearing on Vol. 3 of this series.)

In this evocative film about the eternal human search for home, Berta and Solomon arrive in a land that promises respite from their many journeys. But have they found utopia... or just another stop on their long journey?

An ogre breaks his teeth the day before Saint-Festin, the ogres’ great celebration day. A magician botches his trick of sawing a woman in half, and loses his assistant’s legs. An overequipped hiker gets stuck in the elevator for several days. An old man falls in love with a runaway pair of legs. A mother asks her neighbour to look after her children on the eve of Saint-Festin… In one building, the lives of ten next-door neighbours, or the neighbours of neighbours, intertwine as they grapple with the dramas, joys, surprises and dangers of everyday life.

Agnès, Juliette and Carmen's neighbour, writes children's storybooks that take place in a fantasy world, The Kingdom of the Winds. The two intrepid sisters discover a passageway between their world and this extraordinary universe. Once on the other side the girls take on the appearance of cats, and discover Sirocco, a terrifying character who can control the wind.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

La chair

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

In the year 50 BC, Gaul is occupied by the Romans - nearly. But the small village of Asterix and his friends still resists the Roman legions with the aid of their druid's magic potion, which gives superhuman strength. Learning of this potion, a Roman centurion kidnaps the druid to get the secret formula out of him.

Gaullish custom requires that a would-be chief must challenge and defeat another to become the leader of two tribes. Vitalstatistix is not perturbed because of Getafix's magic potion. Getafix, however has an accident and forgets how to make it. Then Vitalstatistix is suddenly challenged.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

A family lives in a house that teeters precariously on the very tip of a mountain. The balance of the house is affected not only by the family that lives inside, but also their cow, dog, cat, a passing bird, and a man with a couple of sheep who returns in a car. The slopes of the hill themselves also seem rather slippery at times.