No More Hibakusha!

One of the first documentaries to focus on the aftermath of Hiroshima and Nagasaki, the film gives voice to survivors of the atomic bombings and documents the long-term effects of radiation on their lives. Combining testimony with stark images of destruction and recovery, it serves as an early cinematic appeal against nuclear war.

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.

Documentary about the victims and effects in the Hiroshima bombing. Part of the "Ten-Feet Movement"

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

Shigematsu Shizuma, who lives with his family in a village near Fukuyama, was in Hiroshima with his wife and niece just after the devastating atomic bombing, a tragedy that cruelly took the lives of thousands of people and forever marked the harsh existence of the survivors.

Seventeen years after the atomic bomb was dropped on Hiroshima, a newspaper reporter looks for the bomb's effects, but everyone seems to have forgotten. He meets a woman who was there when it happened but when they fall in love she isn't able to move on.

Voices from Tsutomu Yamaguchi, who was twice exposed to the atomic bombs in Hiroshima and Nagasaki and later became a storyteller, as well as those who continue the storyteller activities with his daughters, grandchildren, and great-grandchildren, and other people who were twice exposed to the atomic bombs. How will a storyteller who was not involved in the story pass on the memories in the future?

On the 70th anniversary of the atomic bombing of Hiroshima, Akihiro, a native Japanese filmmaker living in Paris, travels to Japan to interview survivors for a documentary commemorating the victims of the attack. Deeply moved by the interviews, he decides to take a break to wander through the city during which he meets Michiko, a merry, enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled with the simplicity of the present.

The Hawaiian world view was once clearly reflected in a society created over 2000 years of existence in the islands. With the changes brought in the last 200 years, we who now live in the land of the Hawaiian may wonder: what does it mean to be Hawaiian in Hawaii today? A contemporary Hawaiian world view is shared here by 11 Hawaiians who have struggled with the question of maintaining cultural identity in this modern world, and who have each found their own answers. (Victoria Keith)

In memory of Brent Hinds 1974-2025

In Nauruan, Anubumin means "night"—and darkness is what the fourth joint film by Zanny Begg and Oliver Ressler begins with. The small and inconspicuous island of Nauru with close to 10,000 inhabitants lies in the Pacific at a great distance to the mainland. But Nauru is a tragic place steeped in history that has been overwritten by numerous narratives. The film addresses these different narratives, starting with the early exploitation of the island and its calcite and phosphate deposits by the colonial powers in the 19th century. After the golden 1970s, when the "Birdshit island" was flush with money, the phosphate was completely mined and the island state soon became insolvent. Since then, Nauru has turned into a gloomy place: 80% of the area is uninhabitable; the attempt to tap new sources of income led to the wide-scale practice of money laundering.

The film UMBRA deals with rare and common optical phenomena that occur in nature. These phenomena evoke familiar images such as shadows or reflections on a water surface; but also unusual ones like the "Brocken spectre" or the pinhole effect during a solar eclipse. These ancient and natural projections can be considered as precultural and independent of any apparatus. They occured even before mankind and are united by their intangible, ephemeral presence. In their immateriality and fragility, they are precursors of the cinema image. UMBRA develops a visual dialogue between phenomenon and apparatus, archetype and image, self and self-perception.

On the eve of postponed Congolese elections, two Congolese and two Belgian cineastes make a film about Kinshasa and its resistance against the legacies of colonialism. The four filmmakers want to tell a story together, but having grown up on other sides of history, they have different views on how to tell that story. What should it look like? Who should be in it? For whom is it made? Faire-part is the search of four filmmakers for a way to portray the city. Through filming artistic performances in public space, they paint a provocative picture of Kinshasa and its relations with the rest of the world.

Documentary about Givanchy and Audrey Hepburn.

A short documentary about pictures produced by Paramount in the 1950s, the directors who made them, and the stars in them.

"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.

A PBS documentary on the life and work of writer Raymond Carver. It features interviews with his family and friends, and provides an insightful look at his short stories and poems.

Naama lives on her own and is addicted to crystal meth. The story of an addicted but brave woman who has not lost faith in herself.

Documents the murder, in which Heather Barnett was found with two clumps of precisely trimmed hair in her hands, and which led detectives to Italy. It took eight years before the discovery of a second victim, Elisa Claps, finally led police to the killer.

Eager in spirit for a better world, an amateur rock band from bohemian Istanbul embarks on an impromptu tour to mainland Turkey, in hopes of sharing their music and love with fellow countrymen.