Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.
A lesbian couple in conservative Japan must fight to stay together when one of them is diagnosed with terminal cancer.
Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .
Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.
Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is changed one night when a violent and meaningless death rocks their lives.
Fiery, dark-haired Stella, an intense auto mechanic, and nervous, blonde Eleonora are young and in love. They operate a gas station peacefully, until Eleonora's mother appears and voices her disapproval of their romance.
Cheyenne, a journalist, decides to leave Paris after being laid off and to settle down in the middle of nowhere, far from the society she hates. The trouble is that she leaves Sonia, her true love, behind. The latter, a teacher who loves her job, refuses to give up everything - including her comfort - to follow her. Sonia makes all the efforts in the world to forget Cheyenne, whether in the arms of Pierre, a charming anarchist, or in those of Béatrice, a gay woman who soon proves perverse and dangerous, only to realize that her heart belongs to Cheyenne and nobody else.
A feisty young woman returns to Glasgow to run her deceased father's curry house.
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging?
Emma and Louise meet at a nightclub. They enjoy each other, have a drink and end their evening in bed. This is when the question of protected sex arises...
The story of a newly married couple intersecting with three more stories.
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress Julie and through this screen of love observes the tense romance between Julie and the other head of the school Cara in its final months.
Little is known about the catastrophe Anna and Hannah have escaped. On a desolate island they find an abandoned house where Anna takes care of Hannah. Hannah’s fragile condition reminds the two lovers that their time together is coming to an end.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
Based on a true story, Yoshiko and Yuriko relates the journey and great love affair of Yoshiko, who was a renowned translator of Russian literature and drama, and Yuriko, who was a feminist novelist and great activist of the post-war democratic literature movement. Both have left huge marks on Japanese literary history. The two women shared a strong attraction to each other from their first meeting and enjoyed a powerful love affair. Yoshiko reveals that she's an out lesbian, whilst Yuriko is married (not altogether happily) to a well-known scholar - a situation she can't walk away from with ease.
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.