A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
A male baby is born in a palace, with a distinctive dark mark near his right nipple. But he was born in an Amazonian state so, the Queen takes him from his mother, and dispatches the baby on a raft down the river rapids, as is the local custom - expecting him to die or be saved by the gods. A curious chimpanzee saves the baby from the river, a lioness with milk to spare raises him as her own. A baby elephant teaches him how to walk on his fours, and later how to fight with a tree branch, a lion protects him from third party attacks. The baby grows into a teenager, than a handsome man with a large mane of black hair. A man wants to get the Amazons gold treasure, and his search for it will break the jungle man's quiet, but also put him in contact with beautiful girls, and ultimately with his mother. Written by Artemis-9
"Religion is opium," said Marx; this film, five short stories in genres from comedy to social issues and dystopian sci-fi, attempts to examine the religious situation in India from multiple perspectives.
After sudden eviction by their prejudiced landlord, transwomen Laila and Roshni must put their wits together to find a home and reclaim their place in society.
The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..
Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.
A man's (Abhishek Bachchan) innocent gift to his grandfather sparks a power struggle in a village that recently received electricity.
A woman whose single purpose in life is to marry a foreign-settled groom decides to marry a 36-year-old Dubai-returned professional who is desperate for a bride.
Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.
Laxmi Devi is a strict mother having two daughters named Leena and Isha. She wants them to get married in a prosperous and rich family with two brothers so that they can be together for life. But two orphaned boys named Omi and Vikram Doshi who are thieves by profession, fall for these two sisters. Now Laxmi Devi wants to control the fate of her daughters but can she do this?
This story is about prevalent caste problem, economical inequality & degraded family values among villages in India.
A single mother, Geeta, must deal with her two sons, the elder a Police Inspector Suryapratap; while the younger, Satya, a hoodlum, when both get into conflicts. Things only get worse after Satya gets arrested, arguments ensue and he leaves. He gets hired by Sheshnaag for the sole purpose of exacting vengeance against his rival, Deva. Both brothers are fated to meet again when Suryapratap decides to accumulate evidence to arrest Deva. Neither of the brothers know that Deva has an alias. What will the details of his past life reveal?
Kahani Rubberband Ki is an upcoming Hindi-language feature film produced and directed by Sarika Sanjot featuring Avika Gor, Pratik Gandhi, and Manish Raisinghan in lead roles.
Crime - Sapna Lakha lives a very wealthy lifestyle with her businessman dad. She falls in love with a singer-cum-waiter, Shashank Dutt, who is also attracted to her. Her dad, who disapproves of him however, agrees to let them marry. *Subtitles not available for this feature* - Jimmy Shergill, Shenaz Treasury, Kader Khan
Ravi, son of industrialist SK Nanda, returns to find Ramesh and his family, falling in love with Ramesh's sister Kanchan, who discovers Ravi is Ramesh's younger brother and promises not to visit Nanda house.
Adi Merchant, a hustler from Mumbai is hired by a Venetian artist to find a fakir for an art installation in Venice. He cons the art fraternity and hires a daily wage labourer Sattar instead and the two have the most unique time of their lives in the picturesque European city.
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
Comedy - Aditya is a young man who does not believe in astrology, but when a friend makes his astrological chart and explains to him that he is fated to marry a woman whose name begins with the letter V, Aditya decides to see for himself if this is true. *Subtitles not available for this feature* - Purab Kohli, Nandita Das, Rajiv Gopalakrishnan