Milestone No. 2

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

One of Shakespeare’s early comedies, The Comedy of Errors is a fast-paced farce exploring mistaken identities and relations lost and found. This production was captured by Digital Theatre live at the Clapham Community Project. It was devised specifically for schools and families by the Royal Shakespeare Company in collaboration with critically acclaimed theatre company, Told by an Idiot. Directed by Paul Hunter, it features a cast made up from the RSC’s ensemble and uses a pared down script, props, live music and physical comedy to convey the story.

Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A wretch employee wins a lot of money in the lottery and loses his mind. When he comes out of the mental hospital, he finds out that things at his home have changed radically.

A Naive man from the Lolliland leaves a generous tip, but the currency is not to the restaurant's standards.

A 2022 animation comedy that focuses on the daily life of Shocker members.

A group of military men uses explosives to de-root trees.

Various street scenes from Copenhagen in 1907.

A broken Man awakes to be confronted with his life, and the choices he's made. His past, present and future collide as he faces the inevitable.

Tom attends his estranged father's funeral only to find out that his father had been a spy all along, and his funeral is filled with spy villains from all shapes and sizes from his past.

A BFI-produced documentary about documentary filmmaker John Grierson speaking about documentary.

This short film begins with the character Chauncey (a puppet made of sex toys resembling a mouth and hands with a sock for a body) rolling around in a babies’ rolling chair and watching obscure cartoons and shows on TV. They have satirical, comedic, religious, and disturbing overtones... but to Chauncey and his Dad, this is normal. After a while of the cartoons and Chauncey eating a sausage and then throwing it up, the cartoons inspire Chauncey to ask a series of philosophical questions to his Dad. The questions involve what happens after death, the meaning of life, and Chances asking about his identity and why he’s different.

A short news reel documentary about poster art.

A couple is going through marital troubles made worse when a previously unknown grandson shows up.

A man gets into a terrible traffic accident in the middle of nowhere, and two religious zealots try their best to "save" him.

Footage of the German airship Hansa over Copenhagen.

This film shot by Michael Pilz between 1964 and 2005 is a meditative documentary in which personal images can be read as the director's way to liberation in the spirit of Eastern philosophy. It is conceived as an inner pastiche which permits the message to be immediate and authentic by mosaic-like blending of motifs and time planes where it seems that the film is the only fixed point in the world because, unlike its elusive nature, it has a clear order.

A little story about a person who decided to give up.