On a Friday night, two actresses share their fears.
Trapped in a damaged cryogenic pod, a man is forced to watch a series of horrific science-fiction tales while his life support systems run out. Featuring eight intense stories of the unknown and other-worldly, equally wonderful and terrifying. Visit the GALAXY OF HORRORS, if you dare! Curated from Rue Morgue & Unstable Ground's Little Terrors Festival.
It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.
Somewhere in the Balkans, Anna explores her power of intuition while road-tripping with her old friend Armando, an amateur video-blogger who tries too hard. When Anna starts to wonder if friendships have an expiry date, she meets Goran, a famous actor facing a personal crisis. Their brief encounter sparks in Goran a mysterious vision, guiding him to meet "H", a silent man who might have the answers he is looking for.
A chronicle of Bruce Wayne's establishment and progression into Gotham City’s legendary caped crusader through 6 standalone episodes.
An omnibus film that tells the story of AIs that resemble humans coexisting with humans in the near future of South Korea.
While three of the fiercest warriors in human history—a Viking raider, a ninja in feudal Japan, and a WWII pilot—are killers in their own right, they are merely prey for their new opponent: the ultimate killer of killers.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Based on elements from the stories of Mark Twain, this feature-length Claymation fantasy follows the adventures of Tom Sawyer, Becky Thatcher and Huck Finn as they stowaway aboard the interplanetary balloon of Mark Twain. Twain, disgusted with the human race, is intent upon finding Halley's Comet and crashing into it, achieving his "destiny." It's up to Tom, Becky, and Huck to convince him that his judgment is wrong and that he still has much to offer humanity that might make a difference. Their efforts aren't just charitable; if they fail, they will share Twain's fate. Along the way, they use a magical time portal to get a detailed overview of the Twain philosophy, observing the "historical" events that inspired his works.
A compendium of three short science-fiction films, each with a decidedly feminist slant.
Dr. Tremayne is an enigmatic psychiatrist running an asylum that houses four very special cases. Visited by his colleague Nicholas, Tremayne explains his amazing and controversial theories as to why each of the four patients went mad.
A collection of short stories. In one a woman who leaves her house late at night to drive to the store while a killer is loose encounters some problems. In the second an arcade whiz kid's obsession with a game leads to deadly consequences. In the third a small town priest loses his faith and decides to leave town, but in the desert is stalked by a mysterious black pick-up truck. In the final story, a family's problem with a rat is larger than they think.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
Mike, after his release from a psychiatric hospital, teams up with his old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike's dreams, and they must find her before the Tall Man does.
Peter Parker is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man.
How do you escape a loop?
Six complete strangers recall the details of their individual experiences with alien forces-sharing the terrifying stories of their abductions and possessions.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
Late night lab technician Tina warns viewers of five tantalizing tales of terror and cautions them before watching. Little does she know a shadowy menace prowls the dark office halls, closing in on her as the witching hour fast approaches. Will she survive the night?
An anthology film that features four segments. Contagium: The beginning of a global pandemic originated by the macabre experiment of a military scientist. Gully: The calvary of a young man who, as a result of his ambition, is the victim of a painful metamorphosis. The Body: The martyrdom suffered by a woman obsessed with beauty and who resorts to a home cosmetic surgery in order to save money. The Cabin: A post-apocalyptic era in which money becomes the only means that can allow the infected to stay alive.