Charlie is a factory owner struggling to save his family business, and Lola is a fabulous entertainer with a wildly exciting idea. With a little compassion and a lot of understanding, this unexpected pair learn to embrace their differences and create a line of sturdy stilettos unlike any the world has ever seen!
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
Ellen Hallit is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in, and devises a plan. Chris follows Morrison on his trip to Sun Valley, Idaho and plays the overattentive female, hoping that he will send for Ellen (who often played his "fiancée" when he had a female he couldn't discourage otherwise.) Complications arise when Chris catches the eye of band leader Dick Layne, and finds herself caught in a triangle between the two men.
Elmer Fudd attends a musical concert, only to find it's Daffy Duck performing a song about escaping hunters, and Elmer is unable to contain himself, donning his hunting gear and chasing the duck as he finishes his song.
An uptight bachelor tries his luck with a computer dating service and gets matched up with his polar opposite.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.
Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.
Experience America's failing drug war through the magic of song!
In this dystopian-musical-comedy, corporations and self-appointed guardians of "decency" and "morality" have society in a fascist choke-hold. It's up to a rag-tag group of actors, artists, and musicians to save the world the only way they know how - through the power of - wait for it - Performance Art! Led by the legendary Existo, his faithful sidekick Maxine, provocateur Marcel, and Vigo, this troupe of subversive insurgents have the Religio-Capitalist Complex in their cross-hairs. But the powers-that-be know Existo's weak spot - his ravenous libido - and seek to exploit it to derail the Revolution with a secret weapon - a curly-haired corporate-pop singer named Penelope.
Two soldiers go absent without leave in Paris during World War I.
A first-rate French-Canadian spy must tangle with a female Chinese spy who is in love with him.
Humble officials, friends Didi, Dedé, Mussum and Zacarias become the great attraction of the circus Bartolo, thanks to its incredible ability to make the public laugh. But success has a price: the opposition of the magician Assis Satan and the greed of the Baron, the owner of the circus. Together, the four friends will have to fight them.
Recreation of a nightclub's burlesque show, alternating between dance numbers and bits of narrative involving performers backstage or audience members.
Three hip, Little Pigs are travelling entertainers, moving from straw to wood, to brick nightclubs, playing swinging tunes for high-class, "with it" crowds, but an uncool Big Bad Wolf keeps intruding on their act with with his "corny horn" and uses it to blow their nightclubs down when they throw him out- until they are playing in their brick club and the Wolf tries a more drastic, explosive method for destroying the "House of Bricks".
Jerry Biffle is the star of the Blendo Soap Program. He has been invited to participate in an autograph-signing party for his new book at an important department store. Jerry meets Sally Peters, one of the department store models, and makes her part of his TV troupe. As part of his campaign to court Sally, Jerry gets Cliff Lane, the tenor of his TV company, to sing to her over the phone. When Sally and Cliff meet, they fall in love, with Biffle ignorant of the complications.
Mammy features Al Jolson as the star of a travelling minstrel show, appearing in cities and towns across the U.S. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another (Lowell Sherman). Sherman is shot onstage as part of a comedy bit, and it is assumed that Jolson is guilty of putting the bullet in the gun.
When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.
A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows.
18-year old girl, called Slavka, born in a small northern town, comes to Moscow - to become a singer or a real pop-star. She got no cash, but just the business card of one of the most famous music producer, called Larisa. But Slavka appears to be quite pushy, and gets herself on board Larisa. And suddenly psycho shock happens - 48-year old Larisa recognizes herself and her own youth in a teen age Slavka, who has the same fighter's nature...