Bakumatsu seishun graffiti: Ronin Sakamoto Ryoma

A re-make of the classic story made for television in 1982.

In the last days of the Tokugawa shogunate, there was a cute warrior, Souji Okita, who belonged to the armed police of the shogunate in Kyoto. Very few knew that Souji was not a boy, but a woman. Souji loved the vice-leader of the armed police, Toshizou Hijikata. Souji suffered from pulmonary tuberculosis and coughed up blood during a battle. Toshizou helped her but said that he did not care for the girl with a smell of blood. Souji had a real talent for swordsmanship and no one but Ryouma Sakamoto could compete with her. Ryouma was a liberal intellectual and tried to carry out a revolution without blood. However, the bloody Meiji Restoration broke out and Souji killed Ryouma who lost his dream. Because a friendship had sprung up between Toshizou and Ryouma, Toshizou got angry and slashed at Souji with a sword. Unwillingly, she unsheathed her sword and thought that she might get love if she was killed by the man she loved.

Kogarashi Monjiro is a lone samurai who agrees to take responsibility for a murder that his friend committed so that he can stay with his dying mother, with the expectation that his friend will confess and get him pardoned once she dies. Monjiro is sentenced to an island for prisoners. When he discovers that his friend's mother has died over a year ago, Monjiro seeks to escape with a group of prisoners in order to get his revenge.

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

Inomatsu, a carpenter with a reputation as a skilled craftsman, has a wife named Oritsu. Oritsu is deeply in love with Inomatsu and believes that the purpose of her life is to devote herself to her husband day and night. However, Oritsu is Inomatsu's fourth wife. In fact, he is a robber and thief. As a carpenter, Inomatsu usually sneaked into merchants' houses and carried out robberies. For him, wives are just a tool to deceive the public...

Kutsukake Tokijiro

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.

Oda Nobunaga

A group of five law enforcers search Edo for a missing sword.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

Naosuke, a servant of Okajima Yasoemon, devoted himself to his master. One day, his master Okajima Yasoemon, lost his face in front of people. It was a revenge by Oono, a karo (minister) who lost his chance to earn money by selling a fake antique to the lord. Okajima told the lord it was fake. Okajima endured Oono's humiliation. But, his servant Naosuke, could not. But what could he do? Oono is superior of his master. Naosuke would not hesitate to lay down his life for his master. But killing Oono would ruin his master. He wanted to clear his master's disgrace. What to do?

A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.

The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.