Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.
Marcin Gutowski, the reporter of “Black and White” TVN24 showed in his report the unknown face of Cardinal Stanisław Dziwisz. He appears in it as a powerful hierarch, a gray eminence who can take care of the interests of the Church – understood in a specific way. Also when it comes to cases involving victims of pedophilia.
Suffering child abuse marks you, conditions you and limits you. But what's next? 7:11 Cuarzo is a documentary short film that delves into the consequences and shows us various ways of experiencing grief after suffering it: the aftermath, the path after breaking the silence and destroying the stigma. It talks about the treatment and care of wounds with testimonials from those who have suffered abuse and aggression. Learning to live again when the most precious thing, innocence, is taken from you.
An examination of sexual abuse in the Catholic Church, the film centres on Rod McLeod, a man who is suing the church for restitution after having been abused in childhood by priest William Hodgson “Hod” Marshall, and includes testimonial interviews from some of Marshall's other victims.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
Religieuses abusées, l'autre scandale de l'Église
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
Because of the internet's accessibility, anonymity, and affordability, pornography addictions have risen to epidemic levels, destroying intimacy, marriages and families, while distorting our definition of sex and sexuality.
Polish documentary directed by Tomasz Sekielski about child sexual abuse in the Catholic Church in Poland.
An investigation into accusations of teenagers being sexually abused within the film industry.
Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.
At the age of 16, Alice was a victim of abuse. Fifty years later, this repressed experience unexpectedly makes its way back into her conscience. How is it possible to repress an incident for one’s entire life? How did it happen that she made films and wrote books always about children and violence? Alice walks with her accordion through the desert, searching for answers, looking at a phenomenon that affects many women in a similar or related way.
A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.
La última muñeca
Sexually abused by her father from infancy to early adolescence, Shirley Turcotte is now in her thirties and has succeeded in building a rich and full life. To further reconcile her past and present, she is returning to the people and places of her childhood. Her mother, brothers and sister, all of whom were also caught up in the cycle of family violence, openly share their thoughts. Their frank disclosures will encourage survivors of incest to break through the silence and betrayal to recover and develop a sense of self-worth and dignity.
Comedian Mark O'Sullivan researches and writes a sitcom about the sexual abuse he survived as a child, and the court case that led to the conviction of the man who abused him.
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.