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How, in November 1945, after the end of the World War II and the fall of the Third Reich, the international prosecutors participating in the first Nuremberg trial —formally, the International Military Tribunal— built their case against the top Nazi war criminals using the films and records produced by the own regime, obsessed with documenting everything in its long path of infamy and crime.
James Cameron brings together some the world's leading Titanic experts, including engineers, naval architects, artists and historians, to solve the lingering mysteries of why and how the 'unsinkable' ship sank.
Feature-length documentary about the life of director Jean-Marc Vallée.
A feature length, theatrical documentary on the life of Paul Gascoigne, one of the greatest footballers that ever lived: delving deep into his psyche, vulnerabilities, fears and triumphs.
The Italian Rino Lupo directed some of the most important silent films of Portuguese cinema. Pedro Lino develops, in Lupo, an investigation about the director, discovering one of the mysteries that surrounded him, the year and place of his death.
An ecological film that took 17 years to film directed by Ma Jue-ming, producer of "MIT Taiwan Chronicle," documents the research and investigation of Taiwan's endemic mountain salamander species.
Tenei village is located in Fukushima prefecture's beautiful surrounds. It is 70 kilometers away from the Fukushima Daiichi Nuclear Power Plant. When the Fukushima Nuclear Power Plant failed in March 2011, radioactive particles fell and contaminated the rice fields. But the farmers couldn't just abandon their land as they live on the land and wanted to protect it for future generations. The farmers decided to pursue scientific methods to secure food safety. They were on their own without Government assistance. This film documents their determination and efforts in overcoming an environmental crisis that had never been experienced before.
In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.
Two generations of Moroccan female vocalists meet in a masterclass in Amsterdam. The first generation is represented by Najat Aatabou, a famous star throughout the Arab world and a strikingly emancipated woman. The second generation is represented by four Dutch singers of Moroccan origins. They are young and talented, but all of them have problems gaining recognition and with their own identity. In the first instance, the confrontation with Najat Aatabou only seems to increase their struggle; yet this initial encounter is followed by a liberating happy ending. Najat Aatabou ran away from home so she could become a singer. How far is her life story repeated among young Moroccan/Dutch vocalists? How difficult is it to live between two cultures? Does music help encourage emancipation? In this swinging film, the film maker seeks answers to these questions.
The most high powered and high profile motorcycle Championship in the world never fails to deliver on the promise of a thrilling season. With Marc Márquez and Andrea Dovizioso in the hunt for the title with just two rounds to go how could it be anything other than exciting? Five winners in a season might not be approaching 2016’s thriller for sheer diversity but it certainly isn’t giving anything away in the drama stakes. The Ducatisti have had a particularly nervy season with Dovizioso becoming the first Ducati rider to lead a championship since Casey Stoner in 2009. Could we see the fairytale ending they so crave (and deserve)? However the result turns out you can be sure the Review will be an absolute stormer, packed with three hours of the very finest highlights, showing all the important moments as the leaders battle for every vital advantage in the title chase.
A searing account of war correspondent Michael Ware's seven years reporting in Iraq--an extraordinary journey that takes him into the darkest recesses of the Iraq War and the human soul.
A Danish documentary on World War II told from the perspective of the resistance movement. Incorporating footage shot by filmmakers working alongside freedom fighters, it offers a vivid first-hand account of the perils of clandestine resistance activities. At the same time, the film delivers a sharp critique of the Danish government’s wartime policy of cooperation with the occupying German forces.
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish painter drew on large glass plates in front of the camera – like a live show of a greatest artist in performing a few masterstrokes that outlines a dove, bull, flower, man or woman and whatnot. (This technique of filming his painting from the other side of the glass plates precedes The Mystery of Picasso (1956), another famous documentary film on Picasso). (via http://www.kubrickians.com/2012/07/08/visite-picasso-1949-paul-haesaert/)
This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.
Interview with Japanese film director, conducted by film critic Yuki Mori for the Directors Guild of Japan in 1999.
On April 13, 1945, in the dramatic final months of the Second World War, the Red Army liberated Vienna from German occupation following a two-week offensive. This film by renowned Sovietdocumentarian Posel’skij deftly captures the emotional impact of one of history’s defining moments.
An associative view of the days, nights and characters that enclosed the life of Arthur Janov, which defines in the conclusion "It's never too late to have a happy childhood". Arthur Janov (1924-2017) was a classic instance of being the right charismatic therapist at the right time - the zeitgeist. Dr. Janov first heard about the embryo to the primal scream through one of his patients when he performed conventional psycho dynamic therapy. It was an absurd theatre performance by Raphael Montañez Ortiz called "Mommy, Daddy" presented in London, 1966. The birth of Primal therapy happened when Arthur Janov's book, "The Primal Scream" was published early 1970.
The Snake and the Stallion tells the story of motor-sports legend, Carroll Shelby, a bankrupt chicken farmer who, alongside a team of Southern Californian hot-rodders, created the AC Cobra and took on the might of Enzo Ferrari and his iconic Ferrari GTO.