Haida Gwaii: Restoring the Balance

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

PaaPaa Chipskwenewh Sibii

Arvitarniit is a series of short videos presenting the journeys of inspiring post-secondary students from Nunavik. In this clip, we invite you to meet Louisa Papigatuk Argun, from Salluit.

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

A lyrical film ode to the odehimin or heart berry. A two-spirit Anishnaabe person finds themself in a dark place with their body. They undertake a healing journey, stating aloud their intentions and reconnecting with the land and the water for strength. As they get more in touch with their body and the beings around them, we begin to see them heal.

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

What is the Art of Living ? A few weeks ago, I asked myself this question, as silly in its formality as it is complicated in its complexity. In this video, I'll try to give you my definition and my vision of what the art of living is !

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Xetá

Greenland, a semi-autonomous territory of Denmark, is currently at the center of international covetousness and tensions. In his rivalry with China for technological supremacy, Donald Trump has made the acquisition of this Arctic territory a priority in order to secure American control over rare earth elements, of which Greenland is believed to hold one of the world's largest reserves.

An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.

The thunder is warning, "The earth is sick." To cure it, David Kopenawa gathered in Roraima the Yanomami shamans from various regions. With the help of the spirit food, the hallucinogenic yãkoana powder, they will treat the ills caused by cities and white diseases.

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?

Maurício Dias & Walter Riedweg often say the streets are their studio. From the observation of them and of those who populate them there arise installations about encounters, identity and territoriality. The Brazilian-born Dias met the Swiss Riedweg in 1993. Together they learned that they could boost one another’s ideas. “This marriage became Mau Wal,” says Dias. In this documentary, they present their works and the many characters behind them: people who make day-to-day living in the big cities. Street vendors at a Northeast Brazilian fair in São Paulo, illegal immigrants in their quest for the European dream, street kids and their memories. In stories or in the role it plays, the human element is always a centerpiece to the duo’s work.

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

Jackson and Charles Pollock, two brothers, two painters, are caught up in the twists of twentieth century American history. The electrical center of their trajectory is New York. Their correspondence resonates with it, questions a myth and brings a painter out of the shadows.